Art Is You, 2014

Here I am, once again in shock that it has been over a month since I've posted. Don't have any reasons that make sense to me; I guess I just have to accept that like so many of my blogger friends, I'm just not a three times a week blogger any more. Or at the moment. But enough of that. I am here and ready to share a bit of my experiences at Art Is You, 2014, in Stamford Connecticut.

I love AIY; I've attended for the last three years, and this was definitely the best so far. I registered for five classes and I loved all five. I'm usually pleased with my choices, but there are often one or two classes I like less than the others. On the way home my friend and travelmate Cheryl asked me which was my favorite and I honestly couldn't answer. To borrow a phrase from The Last Crusade, I chose wisely.

Day 1, Rethinking Dinner with the talented and fun Cheryl Strait. As promised, I will never look at dinnerware in the same way. We used spoons and forks to create jewelry, and I had a blast pounding, sawing, filing, drilling and torching.

 Cheryl was VERY generous with her time and her tools. I'd never used a jeweler's saw before, and it was easier than I thought it would be.

Our class kit consisted of what we'd need to make earrings and a bracelet or two.

I sawed off the handle of the spoon to use on the bracelet. The earrings feature the tines of the fork. The round pieces started as chunky buttons that I pounded the @*%! out of.

The next day I changed gears totally. The class was called Soft Sculpture Puppets with Lisa Lichtenfels. Ordinarily I have no interest in dolls or puppets, but I have always been fascinated by soft sculpture pieces and jumped at the chance to learn how it's done. Lisa is very famous in this world (I didn't know that when I signed up), and aside from being talented, she is a lovely human and an excellent teacher. Check out one of her sample pieces, Albert Einstein.

 Two other samples which demonstrated how to create an old and a young face.

Pretty amazing. Here is my sweet old-ish lady.

Lisa guided us through the process step by step. It certainly isn't easy, but it sure was fun.

We used pins....lots and lots of pins....and fiberfill to form the features. At this stage it is just plain frightening.

Once we began the sewing and removed the pins the heads looked much less creepy.

The addition of the puppet body and hair made all the difference. Now, I very much doubt I will be attempting this again, but just in case, our class kit included a DVD with every step explained in full.

Day 3 was Sacred Hearts with Lesley Venable. I was so looking forward to this class and it didn't disappoint. I got to solder all day! What's not to love?

Day 4, Gypsies, Tramps and Thieves with Andrea DeMeng. This was my second, and I'm sure not my last class with Andrea. I love her style, and her teaching is on point. She is so organized and her suggestions are spot on. We did fairly large collages and everyone did an outstanding job. Here is my....well, not a gypsy, no tramp, not a thief.....I believe what I have here is royalty.

The last day, Embedded Heart Shrine with Laurie Mika. My third class with Laurie. You think I like her? Nope. LOVE her! I know I can (and sometimes do) work with polymer clay at home on my own. But I just love her projects and the energy in her classrooms. 

 The coolest thing about the heart....it hangs on a hook in the niche and can be removed to wear as a pendant. Laurie even provided the chain for us to use.

One last thing about AIY, and another reason I feel this year was the best. Every attendee receives a handmade name tag (which is really like a little purse to hang around your neck, with room enough for a hotel key card). We were encouraged to make charms as a trade, and by the end of the week, the lanyard was completely covered with charms from art friends new and old. It's now hanging in my studio right above my computer, along with those from 2012 and 2013 to remind me always of wonderful times with my "tribe."

 

Many thanks to Sallianne McClelland & Ellen Legare, the extraordinary organizers of this event. They get us, and know how to create an environment that nurtures us. See you in 2015 ladies!

CREATE!!

Not a command (though you really should go and create something today), but the name of the retreat I attended two weeks ago in Somerset, NJ. This was my third time and by far the best. I had many issues with the hotel in the past, but they seem to have been much better staffed this year. Last year the event coincided with one of the worst heat waves we ever had, and some of the rooms had air conditioning problems. This year the weather was mild. All in all, a good experience.

Generally, when attending a four or five day retreat, taking 4 or more classes, there is a good chance you won't be equally thrilled with them all. This time, for me, was the exception. I chose wisely, it seems, and loved each and every class I took.

First up, "Roll With It," a technique-driven class with the wonderful Michelle Ward. We each worked on a 25 foot long roll of 12" wide paper. Michelle would demo a technique, we'd run back to our seats, execute it, and then surround her again for the next technique. At the end, we folded up our roll accordian style and bound it into a book. While I love a nice finished product as much as the next person, I really appreciate a class that teaches me things I can use in my own art. A winner!

Some rolls in progress.

Before folding, we took a group shot over the balcony of the hotel. And attracted quite a bit of attention in the process. I'm the one in the yellow smock on the right side of the balcony, with my mainly green roll in front of me.

Some pages from my book.

The next day was "Threads and Letters: Art In Free Motion" with Joanne Sharpe. LOVED the opportunity to work on a Bernina sewing machine. In free motion sewing you can go in any direction without stopping or lifting the foot. Took some getting used to, but what a great, liberating feeling. We did mini quilts, two layers of muslin with batting in the middle. I did two city scapes. After sewing, we colored with markers, pencils, water color crayons, and paint. This is what one looks like before trimming and adding color.

Here are some of Joanne's gorgeous samples for the class:

Group photo. I'm the last one in the first row.

Joanne snapped this one of me and Cheryl, and caught me with a paint brush in my mouth. Hey, I only have two hands.

Look who else took the class! My old pal Stephanie from the Tim Holtz cruises!

I only got to paint one of my quilts in class, and when I got home I finished it off with some batik fabric binding. I'll get to the other one.....someday.

My third class was "Handmade Hamsas and Hearts," a polymer clay workshop with Laurie Mika. 

We worked with colored clay and added some sparkle with Pearl X and Rub N Buff. We made some of the embellishments with clay and others we brought along from our stashes of charms, old jewelry, found objects, etc.

In this photo, nothing has been baked or attached. I'm just trying things out in different positions.

And here is the finished piece, which is already hanging in my home. I love it!

My last class was "4-Color Block Printing" with Jane Davila. Jane has devised a creative way to make prints without a press, and without any toxic chemicals. She also showed us how to cut our own mats. There is a definite learning curve with this. How much paint to use? How hard to press? This print is far from perfect, but I know this is a technique I'll be trying again on my own, and I'm sure things will get better. I'm sorry I didn't think to take any photos of Jane's work, because it is fabulous. 

In what has become a tradition, Cheryl and I left early Monday afternoon and stopped for lunch at Joe's Crab Shack before heading home. This time, we had Brenna with us. A perfect way to finish a wonderful week of art and friends.

Two Birds and a Shrine

My Adventures With Polymer Clay

 

Two of the classes I took at Art Is You involved working with polymer clay.  While I am not exactly a polymer clay virgin, I'm also no expert.  Things I learned:  well conditioned clay is a must, as is an oven that keeps accurate temperatures.

 

First up, Mini Shadow Box Shrine with Laurie Mika.  Wonderful class, great teacher, and my fellow students were so very talented.  Laurie provided the shrine (a nicely deep shadow box), very clear and in depth instruction, stamps for texturizing, mica powders and paints for color, and we only had to show up with pre-conditioned clay, some basic clay tools, and assorted doo dads (optional) to use as decoration (if we wished....remember the word optional).

 

Here is what my shrine looked like at the end of class.  I couldn't decide what to place inside the shrine, so I waited until I got home for that step.  Everything except the costume jewelry on the top is clay.



 

At home I added some decorative paper to the back (the white part you see showing above), then built it up a bit with cork and attached a pin.  I may change that, but I wanted to see how it looked completed.  Fortunately, I can open the back and do whatever I want to the inside.

 

 The little triangles on top and bottom were supposed to be clay tiles, but I didn't measure them well, and they didn't fit.  At home I filled those spaces with rust colored micro beads.

 An angled view so you can see the depth of the shadow box.  The outside was painted then stamped with permanent black ink.

This is a close up of the top of the shrine so you can see those micro beads.

 

Here is Laurie discussing what each of us created.  Most of us finished our pieces, or came close to it; others left with a work in progress.  Finished or not, I think they all are awesome.

 

 

Check them out!

 

 

 

Two words I seldom use are delightful and whimsical, but both aptly describe my second polymer clay class, Sculpural Birds and Beasts Ornaments with Doreen Kassel.  The second I saw the illustrations that accompanied the description of the class I was hooked.  It was the first class I registered for.

 

We took plain glass ornaments and covered them with a thin layer of clay.  Then, with Doreen's assistance we added clay to form the features of our animals.  I stuck to the birds, but there was a dog, a cat, a cow, and even the man in the moon.  Here are some of the samples Doreen brought in.  One is more impressive than the next.  She is an inspiring teacher.

 

 

 

Here are my two guys, a bluebird and an owl, followed by a closer look at the owl.  After baking, we colored the creatures with oil paint, which results in the most beautiful kind of glowing effect.

 

 

A few more owls, done by my classmates.

 

 

 

 

My friend Pat working on her man in the moon.  You can see her completed owl on the table.

 



 

 

Next up, more metal!