Sunday, February 22, 2015

DLP 2015, Week 8 -- It's Worth Repeating

The Documented Life Project, February Theme: Layers You Will Love
Week 8 Art Challenge: Repeating Elements   Journal Prompt: It's Worth Repeating

I love patterns; I repeat design elements all the time. Mainly circles. So I decided to go a bit rectangular this week.

First, I dug out some of my favorite handmade stamps.

Some were carved on regular stamp carving material, three were carved on a pink eraser, one was carved on a wine cork, and one was cut, not carved from adhesive backed fun foam, and stuck to a piece of plastic. Nothing high tech here!

Then I took a piece of rice paper, large enough to cover my two page spread, and lightly penciled in a grid of differently sized squares and rectangles. I stamped different combinations of the above with a permanent black ink, let it dry, and then filled in each segement with color. This is what I used.

I generally (and this time) use the blocks like watercolors. I leave them in the box and just wet them with a brush. I like them because the colors are vivid and when dry, permanent. The rice paper is thin, but sturdy, and when it was completely dry I cut up the segments. I then arranged them in my journal, adhering them with matte medium. Last step.....adding another repeating pattern, dots. Lots and lots of dots.

So, I have a few repeats going on here: the grids, the stamps, the colors, and the dots. As for the journal prompt, what is worth repeating is the word BE. It's good to just be. Be happy. Be kind. Let it be. Just BE.


Wednesday, February 18, 2015

DLP 2015 Week 7 -- The Big Coverup

This is what we were given to work with this week by the good folks at The Documented Life Project:

February Theme
Layers You Will Love!
February 14
Art Challenge:  Cover Up Good Stuff
Journal Prompt:  Going Undercover

There was a lot of chatter on the DLP FB page about this. I think for a lot of people, especially the beginners, the thought of creating something "nice," and then obliterating it was nightmareish. I am much more a process person than a product oriented one, so I don't mind. Besides, I do look at this as a useful exercise in not taking myself too seriously, and not regarding my art as "precious." As I used to tell my second graders, "it's only paper!" And some very talented artists, like Anne Bagby, Flora Bowley, and Tracey Verdugo have offered up the same philosophy. Sometimes a cover-up is a good thing.

And now, how this:

Became something else all together.  First of all, I used my 6x6 Gelli Plate as a stamp to create the patterns.

And these are the high tech tools I used for the patterns:

Then I used a bunch of stencils on a sheet of deli wrap, and set it aside for a moment.

Back to my journal. I scraped some random blobs of heavy duty gesso over the pages with a palette knife. Cover-up number 1.

I liked the texture, but not the stark whiteness, so I covered the whole thing with a mixture of paint and matte medium (which forms a glaze).

Remember that sheet of deli wrap? I tore it into strips and started covering the page, again.

Not loving it, but I thought some more glaze would make it less busy. And some numbers with embossing paste. And some paint scraped on with an old credit card. And.....several other things I didn't stop to photograph.

At this point I was describing it as a "hot mess," and seriously doubted I could either a) make it worse or 
b) make it better. As they say, it is what it is. So, I walked away for a day, and when I returned I decided it needed to be a cityscape.

There were many steps along the way where I could have stopped. Maybe the end result would have been better, maybe not. But it wouldn't have been this, and I wouldn't have learned anything if I stopped at a safer point. I don't suggest that every project should be approached with the "cover up the nice" attitude, but I think you can learn a lot and free yourself if you try it from time to time. And BTW, the triangular rooftops were cut from the scrap paper I was using as a palette. 

Sunday, February 8, 2015

DLP 2015 Weeks 4-6

I've been knocked out for the past two weeks with either a killer cold or the flu (I hope not the latter, since I did endure a flu shot), and finally started feeling well enough to sit up and attempt a blog post. Here are the last three Documented Life Project challenges.

Week 4 Continuing the January theme of Facing The Blank Page
             Art Challenge: Writing
             Journal Prompt: Words With Friends

As often happens, I started out with a "brainstorm" that went nowhere, but wound up happy with what evolved.

The background is a repeat of one of my own carved stamps over metallic paint. The borders are a stencil, highlighted with more stenciling in gold paint. The silhouettes are also stencils. The quote is a variation of one by none other than Aristotle. Hey, aim large.

Week 5 (Still in January)
              Art Challenge: Use under paper (you know, the paper under your work that collects drips, blobs, wipes, etc.)
              Journal Prompt: What Lies Beneath

The curvy borders and the thin rectangles forming the rays are my under papers. What lies beneath them: more layers. Paint, ink, stamping, stenciling, even a few transluscent stickers I found lying around.

February Theme: Layers You Will Love
Week 6 Art Challenge: When Not To Stop
             Journal Prompt: "Don't Stop Til You Get Enough!" (ooh)

This challenge was not really a challenge for me, though I totally enjoyed doing it. I am all about layering, and can (and often do) add them without a thought.

It did, however, give me the chance to finally play with the 8" round Gelli plate I bought ages ago. I have no idea why I bought it, besides that it is adorable. There is nothing I can think of doing with it that I can't also do with the plates I already had. But the round prints that emerged did give me an idea. I cut lots of rings from the circlular prints, cut them into segments and then reassembled them on the pages. (BTW, all the prints were pulled on deli wrap).

My layers, more or less in order: Gelli prints, stenciling over the prints, splattering, doodling with pens, outlining with paint, spreading gold embossing paste over a stencil, stamping with one of my own carved stamps.

This is the palette I used.

These are some of the stencils I used both in the Gelli printing and then on the finished prints.

As you can see, I'm not very obsessive about cleaning my stencils.

Some of the paint I used seemed to dry very quickly, and I was left with some on the plate that refused to come off. An easy fix is to lift the dry paint off with tape. As an added bonus, the tape can be used as an embellishement.

After removing the dry paint with the tape (I used clear packing tape), brush some Perfect Pearls on the sticky side. It will cling to any part of the tape not covered by the paint, and it is beautiful. I cut circles out of one of the strips and that is what I used in the centers of my reconstructed circles.

Did I have enough when I stopped? I'm not sure. Maybe another layer or two are in my future.