Splattered on Alcohol (Ink)

Tim Holtz's July tag in the 12 Tags of 2012 series is a patriotic one, perfect for this month.  It features a very fun technique that I believe I first saw in a video, and which was later in Volume 1 of A Compendium of Curiosities.  Or maybe it was the other way around.  All I know is, it made me rush out to Staples to get a can of compressed air.

I decided to go in a different direction, keeping to the techniques Tim used, but using a whole other color way and theme.  I love the water; my favorite colors are blues and greens, so here is my version:

I used willow, pool, citrus, and sailboat blue inks for the background.  Then I stamped those fabulous Wendy Vecchi fish twice.  First with emerald green archival ink, then right over top with black.  The dots (bubbles, really) were done with an old Stampin' Up wheel stamp.  I think the way the inks blew upwards looks a lot like seaweed, which is how I wound up going in the direction I went. The tag is topped off with some taffeta ribbon dyed with distress stains (peeled paint, shabby shutters, weathered wood and broken china) and a couple of ocean themed charms.

OK, I lied.  I didn't neglect Independence Day altogether.  I also did a red, white and blue tag; I just don't like it quite as much as the first one.

I was hoping my red pepper and stonewashed inks would resemble fireworks, but I'm not so sure about that.  The stamp, one of my favorite Statue of Liberty stamps (from Viva Las Vegas), was done with black archival ink.

I'm taking Joanne Sharpe's online lettering class, so decided to do my own writing.  Trust me, I've done better, but at least I'm trying.  It was written with a micron pen and colored with distress markers.

If I don't post again before then, have a safe and fun July 4th!

Tagathon, and more

I've been in a tag making mood this week.  Normally, when it comes to challenges I like to try to qualify for as many as possible with one piece, but for some reason, this week was different.

Tim's June tag for The 12 Tags of 2012 featured the technique of tinting photos with distress markers.  You can see his tag HERE.  My take is oddly romantic and feminine, a departure from my usual style.  Hey, I sit down and something inside me tells me what colors to grab and I take it from there.  My motto (well, one of many) is don't argue with the muse.  The muse doesn't like that and will retaliate by leaving you. 

The image I chose to tint is one I found ages ago on the internet.  The stamps are from a set by Darcie's that I've had for a while and never used. 

Over at the Everything Wendy Vecchi yahoo group, the current challenge is based on the piece on page 28 of Wendy's third book.  The deal is, create something that contains three circles and two hearts (and of course, at least one of Wendy's stamps).  I hope Lori meant AT LEAST three circles and not JUST three circles because I went a little circle happy.

The large circles in the background were done with a Crafter's Workshop stencil and a Dylusions spray, but everything else is a Wendy stamp.  In addition to the stamping, I punched several holes in the tag and then backed the tag with green paper.  Some of the circles were outlined with a black glaze pen, and some were also filled with glossy accents.  The hearts were accented with a white gel pen.

My third tag of the week is for the Simon Says Stamp and Show challenge, and the theme is texture. 

The tag itself has texture from a Cuttlebug embossing folder called clockworks.  Some antique linen distress crackle paint was applied kind of randomly on the right side and bottom of the tag for another kind of texture.  The gears were cut with Tim's steampunk on the edge die from a scrap of black cardstock that already had some embossing on it.....more texture.  The wire strung with tiny springs and fastened with the little staples in the tiny attacher is yet another layer of texture.  The small tag on the top (actually part of the packaging from grungeboard sets) has a suede feel to it, so more texture.  And last of all, the man (a Wendy stamp) was highlighted with both white and black glaze pens for even more.

That's it for the tags.  Remember my beaded cuff bracelet?  Sure you do.  If not, here it is again.

The other thing I was busy with this week was figuring out how to make a pair of beaded cabachon earrings.  I didn't have any pattern or directions to follow, and really winged it on the edging, but all in all, I think they're wearable.  I had planned to add some dangly things, but ran out of steam.  Well, I CAN go back and do that someday.

I just realized that I have no tag for the current Compendium of Curiosities 2 challenge.  Now, how did I miss that????  

Two Projects, Three Challenges, and a Cool Technique

I know I said no more challenges or swaps until I finished some old projects, but I couldn't resist this month's tag in Tim's 12 Tags of 2012.  It features the beautiful faux porcelain technique, and it found me in the mood to haul out the melt pot.

I don't like copying Tim's tags exactly, so I just concentrate on the techniques, and my tag includes the faux porcelain flowers (I also used Primas, plus some others found in my stash), as well as the tissue paper background.  Instead of a spool, I placed my bouquet in one of Wendy Vecchi's art parts....the flower pot, which was gessoed, inked with the new peacock feathers distress ink, dusty concord and (also new) shaded lilac.  It was then stamped with one of Wendy's fab backgrounds with berry purple archival ink.

The sentiment is a Wendy stamp.  Next, a close up of the flowers.  The small ones started out purple, but the others were white, and I tinted them with two of the new distress inks.....shaded lilac and squeezed lemonade (which is a great yellow) before dipping them in the melted UTEE.  Please click on the link to Tim's blog (above) to see the step by step details for this technique.

Since digging out the melt pot and actually using it is not an everyday event around here, I wound up making way more flowers than I needed, so I thought this would be a great opportunity to participate in the current challenge over at the Wendy yahoo group.  The theme is ATCs and the only rule, other than sticking to the theme is to use at least one of Wendy's stamps.  I did that, and more, and also included more art parts than you'd think would fit on a 2 1/2 x 3 1/2" piece.

The scallops, leaves and vase are all art parts.  Actually the vase started out in life as the base for a lamp, but I easily sliced off the lampshade.  I used pretty much the same colors on it as I did on the flower pot and added a dusting of lemon sparkle perfect pearls (which goes so well with the touches of squeezed lemonade distress ink I used throughout the ATC. 

I tried faux porcelain flowers once before with less success.  The difference this time, I think, is that I really filled the melt pot with UTEE.  It works much better if you can actually submerge the flowers into the UTEE.  It still requires a little finesse, and Tim's blog has some helpful hints,.

As luck would have it, this week's challenge at Simon Says Stamp and Show is "anything goes."  So, I'm submitting the ATC there as well.

And now, back to working on some of my unfinished "masterpieces," LOL.

Creative Chemistry, A Simon Says Challenge, and The 12 Tags of 2012

I completed my tags for the final technique at Creative Chemistry 101.  It is one of the easiest, and yet most lovely backgrounds I've seen.  In fact, I did two tags; one with the distress inks that Tim used in his example, and one using archival inks, just to see the difference.  Apart from the colors, not that great a difference.  I was just wondering about how the distress inks would react when remoistened, but it wasn't a significant amount.  I like it both ways.

The one on the left was done with distress inks; the one on the right with archival inks.

I liked this technique so much, I used it on my entry in this week's Simon Says challenge....which is to make something using Wendy Vecchi's products and or style.  I need a few thank you cards, so made multiples of this one:

The background stamp is the beautiful lace from Wendy's Sentimental Art set.  The large weeds are from her Well Worn Art set, and the smaller ones are from the Botanical Art set.  The background was done with distress stains and inks, but the weeds were stamped with archival ink, so they would remain intact after the last part of the technique was applied.  Sorry!  You'll have to take Tim's class to get all those details.  The sentiment is an old and much used Stampin' Up stamp.

Now that we're in a new month, Tim posted his April tag for the 12 Tags of 2012 ongoing project.  Click here to see what he did and all the step by step instructions.  And here is my interpretation.  I followed the technique as given, but used different die cuts.  I also don't (yet) own any of those cool word bands, so I made my own with a scrap of thin metal, some rub-ons, and archival inks to give the metal a softer patina finish.

I've been keeping busy with all this stuff to avoid what I really should be doing.....my taxes.  Yikes!  I just can't get in the mood for that! 

So Many Challenges, So Little Time

I'm back from a blissful week cruising the Caribbean; I feel invigorated, but still haven't figured out how to squeeze an extra hour or two into the day.  So, when I get the opportunity to create something that can be used for more than one of my favorite challenges, I do jump at the chance.

Here's the rundown:    Grungy Monday 37 calls for wearable art
                                     Simon Says Stamp and Show.....idea-ology
                                     Tim's March edition of the 12 Tags of 2012 features a beautiful mosaic
                                          technique

Tim used his butterfly movers and shapers to create the mosaic; I went for the tattered florals.  He used Ranger's cement embossing powder from the Antiquities line; I used their ancient gold.  And I have a surprise.....the flowers on my tag are actually a pin that can be removed and worn.  My flowers are embellished with some idea-ology that has been colored with distress embossing powder (I used scattered straw, shabby shutters and worn lipstick), so I'm covered for all three challenges.  Wearable art, check.  Idea-ology, check.  Mosaic technique, check. 

Without further blah blah blah, here is my tag:

My background is a gorgeous Hero Arts stamp, lightly inked with tea dye distress ink.  Some antique linen was sponged on afterwards, followed by a spritz of pewter perfect pearls mist.  I wanted a very subtle background so that my pin would pop.

The sentiment is a Wendy Vecchi stamp and the stick pins are from Maya Road.  And here is a closer look at the pin.

Tip:  if you're trying the mosaic technique on very small shapes (like the smallest of the flowers), and therefore using very small bits of paper, you might find it a little difficult to precisely place the glossy accents on the paper only, and not the heat set embossing powder.  I just squeezed a blob of it on my craft sheet and used a small brush.  I didn't exactly brush it on; it was more like a gentle dabbing, but it got the glossy accents exactly where I wanted it, and it self leveled nicely.  BTW, I used a tie tack finding  to make the pin, and all three flowers were glued together with matte multi medium (held in place with small clamps until dry).

Oh, and this is completely off topic, but here are a few shots of Caribbean tranquility: