Party Like It's Mardi Gras

Stephen's World of Colors book (from the Kindred Souls group) landed in my mailbox last week, and seeing his color choices (purple and gold) just made me think of the jewel tones of mardi gras.  I began by painting my page black, knowing that would make his colors pop.  Then came the search for images.  I'm sure many of you get Somerset Studios magazine.  You know those free art papers that they put inside for our use?  Well, I usually pull them out and save them in a folder, and that's where I found the two partiers.  Don't know which issue they were in, but the page is called Bohemian Souls.  I printed it in black and white and colored the characters with pastel crayons, inks, markers, stains, paint, etc. And altered the costumes a bit more with stencils and sparkly bits.   Here they are, dancing the night away with great abandon.

 

 

Before glueing them down, I decorated the black page with stencils and doodling, in various shades of gold and purple.  Then I found some sari ribbon for the "curtain" above.  The ribbons photographed kind of blue and brown, but they are purple and gold. 

 

The quote is a rubber stamp I've had for about six years or so....I purchased it at the first stamp expo I ever attended (along with a few MANY others), and sadly have no idea who manufactured it.  It was one of those unmounted inexpensive stamps you often find at those shows, piled together in a shoebox.  I've used it before, and have always appreciated the sentiment.

 

A closer look at the dancing duo:

 



 

The backs of the pages in this round robin are kept fairly simple, just containing our information.

 

 

 

Gold paper, and the rays are a Julie Fei-Fan Balzer stencil, with Wendy Vecchi's gold embossing paste applied over it.  More doodling with glaze pens, souffle pens and gel pens, a little bling in the center, and that's it.





Back to Russia

How Sue Acquired A Russian Ancestor

 

 

Clearly, I still have the desire to incorporate images of Russia into my art.  When I received Sue's Vintage Ancestors book this week, I knew immediately where her next ancestor would come from.

 

Sue structured her book a bit like a mystery (a very cool idea), setting her main character, Alice, off on a world wide journey to locate distant relatives.  Each one had a key (and Sue asked that we all use a key somewhere on our pages), and one of Alice's quests was to find the key that matched the one she herself possessed.

 

So naturally, I sent Alice to Russia, although an additional trip to Paris was necessary.  And I just had to throw in some Russian royalty as well as a rather emphatic nod toward my own Jewish Russian roots.  I knew all those years of reading mysteries would come in handy some day.

 

 

Very much under the infuence of Lynne Perrella, most of the coloring I did was with my Portfolio pastels.  The church which is furthest in the background is a drawing of the New Russian Orthodox Church in Paris.  Overlaid are some drawings of Russian churches as well as a few of the stamps I carved myself.  They have all been embellished with sparkly things, German scrap, and lots of doodling with my glaze pens.

 



The young beauty is Natalia, widow of Alice's distant cousin, Grand Duke Dimitri.  Below her photo is a pocket containing the explanation of all this, and to her left, the key she inherited from the late Duke.

 

 

After taking pictures of my pages, I decided that the litte faux Faberge egg atop the key needed more bling, so I added some.  Much more authentic now, LOL.

 

 

 

And here is the story of Natalia and Dimitri. 

 

 

 

I do love the challenge of inventing ancestors for my friends!









Heading East

Last weekend, with a to-do list longer than my arm, I abandoned everything I was supposed to do in favor of what I wanted to do.  I recently signed up for an ATC swap at Little Bird Creations, something I haven't done in years.  I literally have hundreds of these little works of art from years ago swaps, but have rarely done any since I've gotten into art journaling and collage.  Anyway, the theme is Japanese/geisha, and since I have a ton of related supplies, I decided to go for it.  They're not due until June, but you know how it goes with me and my stubborn muse....strike while she is hot or she will run away and hide.

I began by covering a sheet of 8 1/2 x 11" cardstock with some Japanese text.  I remembered a trick I'd read for getting 10 ATC from one such piece of paper, and cut them out.  Here's this handy tip:

1. Cut two lengthwise strips 2 1/2" wide, leaving one strip 3 1/2" wide.

2. Cut the strips crosswise: the 2 1/2" strips will be 3 1/2" wide, and the 3 1/2" strips will be 2 1/2" wide.

Then I added some texture with this embossing folder (I was able to do two ATCs at a time):

 

 

And then some transluscent color with these paints:

 





So much for the background; now onto the main image, which I got from this:

The above is 8 1/2 x 11", so I only used the head and shoulders, and that pretty much filled up the ATC.

All of this resulted in:

 

 

To color the images, I used my favorite cheap-o art supply:

 

 

 

And to decorate the colored kimonos, I used some of my favorite pens.  Because the Portfolios have a waxy surface, not every pen will write well over them.  I've ruined many a good pen learning this, but my Sharpie poster paint pens, Molotow acrylic pens, and Sakura glaze and souffle pens glide over the Portfolios with no problem.

 

 

 

Although the design is identical, the decoration changes from ATC to ATC.  And though it wasn't my intention,  even the faces all look different.  The face on the original image was very faint, so I had to go over the lines with a pen.  Even the slightest difference in my drawing changed the expression.  I'm not complaining, just explaining.  And of course I totally enjoyed coloring and doodling on the clothing, using varying colors and patterns on each.

 

 

 



 

 

 

I used very narrow red German scrap for the hair accessories.  The flowers are tiny Primas over small Stampin' Up blooms, with a dot of platinum stickles in the center.













Christmas in June????

Yesterday I mentioned that it's not good policy to argue with your muse (bad things can happen), so when mine decided to ignore the calendar and start pulling out wintery, Christmasy supplies, I just rolled my eyes and went along with it.  I was attempting to complete the final challenge piece I wanted to do this week.....The Compendium of Curiosities 2 challenge, organized by the wonderful Linda Ledbetter. 

The featured technique (on page 62 of Tim's second CofC book) is called repurposed packaging, and Tim shows two variations.  I've included both in my tag.

I started with Tim's tall pines embossing folder, and used it on a background I had previously made and cut into a tag.  The embossed trees were darkened with several green and brown distress inks, but primarily forest moss.  The bird (close up below) was done with one of the techniques and colored with many shades of blue alcohol inks and blue prismacolor markers (alcohol based, like the inks).

For the second repurposed packaging technique I used Tim's pine tree die and colored it with just about everything I could think of, LOL.  I wanted it to pop off the background more than it did, and it took forever to get something I could live with.  So, in no particular order, the tree was colored with alcohol inks, alcohol based markers, archival inks, and stazon inks.  

The stars were made with a Sakura white glaze pen as well as their clear stardust pen.   To finish things off, I cut some black cardstock with Tim's townscape die, backed the open windows with yellow cardstock, and attached it to the bottom of the tag.

It isn't hot enough here (yet) for me to be yearning for winter again, but I know better than to fight with the mojo.  

Tagathon, and more

I've been in a tag making mood this week.  Normally, when it comes to challenges I like to try to qualify for as many as possible with one piece, but for some reason, this week was different.

Tim's June tag for The 12 Tags of 2012 featured the technique of tinting photos with distress markers.  You can see his tag HERE.  My take is oddly romantic and feminine, a departure from my usual style.  Hey, I sit down and something inside me tells me what colors to grab and I take it from there.  My motto (well, one of many) is don't argue with the muse.  The muse doesn't like that and will retaliate by leaving you. 

The image I chose to tint is one I found ages ago on the internet.  The stamps are from a set by Darcie's that I've had for a while and never used. 

Over at the Everything Wendy Vecchi yahoo group, the current challenge is based on the piece on page 28 of Wendy's third book.  The deal is, create something that contains three circles and two hearts (and of course, at least one of Wendy's stamps).  I hope Lori meant AT LEAST three circles and not JUST three circles because I went a little circle happy.

The large circles in the background were done with a Crafter's Workshop stencil and a Dylusions spray, but everything else is a Wendy stamp.  In addition to the stamping, I punched several holes in the tag and then backed the tag with green paper.  Some of the circles were outlined with a black glaze pen, and some were also filled with glossy accents.  The hearts were accented with a white gel pen.

My third tag of the week is for the Simon Says Stamp and Show challenge, and the theme is texture. 

The tag itself has texture from a Cuttlebug embossing folder called clockworks.  Some antique linen distress crackle paint was applied kind of randomly on the right side and bottom of the tag for another kind of texture.  The gears were cut with Tim's steampunk on the edge die from a scrap of black cardstock that already had some embossing on it.....more texture.  The wire strung with tiny springs and fastened with the little staples in the tiny attacher is yet another layer of texture.  The small tag on the top (actually part of the packaging from grungeboard sets) has a suede feel to it, so more texture.  And last of all, the man (a Wendy stamp) was highlighted with both white and black glaze pens for even more.

That's it for the tags.  Remember my beaded cuff bracelet?  Sure you do.  If not, here it is again.

The other thing I was busy with this week was figuring out how to make a pair of beaded cabachon earrings.  I didn't have any pattern or directions to follow, and really winged it on the edging, but all in all, I think they're wearable.  I had planned to add some dangly things, but ran out of steam.  Well, I CAN go back and do that someday.

I just realized that I have no tag for the current Compendium of Curiosities 2 challenge.  Now, how did I miss that????  

Steampunk With A Feminine Touch

Yes, I know I said yesterday that would probably be my last post until after the cruise, but I got an inspiration for another steampunk tag, and had to roll with it.

Usually steampunk, being all about gears and machinery and Victorian images, has a masculine feel to it.  Thanks to Graphic 45's gorgeous Steampunk Debutante line, it can also be soft and lovely.  One of their images was really speaking to me and it wound up on this tag:

For the background I layered two DCWV papers.  I cut out the beautiful debutante and then added my own embellishments.....glossy accents, glaze pens, and a bunch of tiny watch parts from my stash to go with those already part of her hairdo.  I hope you can see all those details, and I also hope if you click on the photo the enlargement isn't a fuzzy mess, which has been happening lately.

And now, I really do have to stop and get packing!