The 12 Tags of 2013

January

 

I actually did my January tag at the start of the month, put it aside to think about adding more to it, and then promptly forgot all about it.  I found it this morning and realized I'd never posted it.  Duh!

 

Well, first of all, click HERE to be taken to Tim's blog so you can see his January tag.  As usual, I don't like to copy his work exactly, but I do like to incorporate as many of his techniques as possible.  Don't ask me why, but for some reason I was inspired to do a very Valentine kind of tag, quite a departure for me, and not a bit like Tim's beautiful time themed tag.  Hey, I've said it before, and I'm saying it again.....it doesn't pay to argue with your muse.  So, here it is:

 

 

 

The techniques that Tim demoed, that I also used:

 

An embossed background, inked with distress inks, then splattered with water.....check!

 

Grungepaper/board, covered with metallic stains and then distressed with inks (seen here on the  bow and arrow; also on some of the hearts).......check!  {NOTE:  I tried every which way to include the cupid that was holding this bow, but he just didn't fit no matter what I did.  I kind of like having to imagine him instead.}

 

 

 

Stamping on ribbon with archival ink......check!

 

 

 

Coloring ribbon with distress stains (I actually did a bit of stamping on these ribbons too, but it barely shows up in the photo)......check!

 

 

 

Finishing the tag with metal embellishments.......check!

 

 

 

It's almost time for Tim to post his February tag, and I'm guessing it will have a Valentine theme.  Wonder what I'll come up with for that.











Happy Autumn!

This is definitely my favorite time of the year; I love a typical autumn day in NYC when the skies are blue, the air feels crisp, and there isn't even a hint of humidity to cause hair problems.
I have been keeping up with Tim Holtz's 12 Tags of 2012, and as expected, his October tag is all about Halloween.  I know so many people who are into that holiday, including Tim, and try as I might, it just isn't my thing.  Autumn, however, is right up my alley.  So, my entry sort of nods at Halloween, but is really about the season.  And, it's not even a tag.

Another favorite regular challenge I like to participate in is the Making Art Challenge over at the Wendy Vecchi yahoo group.  Wendy did an autumn tag recently that was featured on the Ranger website, and our challenge was to use the featured technique (adhering sticky back canvas to Wendy's Clearly For Art) and at least one of Wendy's stamps in any sort of creation.

So.....I combined the two, tried several of the techniques Tim used, and the sticky back canvas/CFA technique Wendy used, and came up with this:

 

 

Tim demonstrated making custom colored glitter with the new rock candy dry glitter and alcohol inks.  I don't have any of that product (yet), so used what I did have.....some chunky glitter, and it sure didn't work the way Tim's did, LOL.  But I love taking part in these artistic science experiments.  The larger of the two jack-o-lanterns is covered with my version.  I glittered the smaller one with plain old orange just to show the difference.  When I get some of the rock candy stuff I'll be trying that again.  BTW, the jack-o-lanterns and letters are grungeboard, from two of the many sets of pre-cut shapes I have in my stash.  I don't know if they are manufactured any more; they date back to the days before the Vagabond and Tim's Sizzix dies.  But being a good hoarder collector, I still have tons of them.

 

The tissue paper background is straight out of Tim's demo, but over top I used Wendy's background stamp from Optical Art.  On the bottom left you will see her little spider stamp from Botanical Art.  To make it stand out a bit more, I used black soot distress ink and black embossing powder.

 

All of the autumn leaves were done on the canvas covered CFA.  For those who don't know, Clearly For Art is a wonderful product (some sort of plastic, I think) that can be heated to make it bendable.  Yes, lots of products do that.  But the cool thing about CFA is that it can be heated, manipulated, then reheated if you don't like it.  It goes flat again, hardens up in seconds, and can be heated and shaped that way countless times. 

 

I cut the leaves from both the regular sized and mini tattered leaves dies, and colored them with both distress stains and Dylusions sprays.  Although they don't match up exactly, I also stamped over the colored leaves with Tim's Falling Leaves stamp set.  I used black archival ink for that, and didn't press too hard.  I just wanted a hint of the leaf veins to add some texture and realism. 

 

Happy Autumn!

 





Blended Stains

Blended stains:  not a weird laundry problem, but this week's technique featured in Linda's Compendium of Curiosities 2 challenge.  Turn to page 45 in Tim's C of C 2 book and try it yourself.  It's easy, and it results in a very pretty background.  And this week all entries are eligible for a $25 gift certificate from the lovely peeps at Simon Says Stamp.

Although I did follow Tim's directions, I added one of the new metallic stains to the mix (antiqued bronze), and love the bit of shimmer it gives.  I'm not sure just how much of the background you can see once I finished embellishing it with stamps, rub-ons and flowers, but here is my piece, a 4x4 card for the birthday club I'm in:

 

 

The main image is one of my new purchases, a Dina Wakley stamp called Grungy Silhouette, stamped in black archival ink.  On the left, in sepia archival ink, the blueprint stamp from Tim's steampunk set.  On the right, stamped vertically, also in sepia,  bits of an old French script Stampin' Up stamp.

 

Both the stitching and the birthday greeting are rub-ons from K&Company.

 

The flowers, leaves and stem are Prima, and I added the tiny pearls around the head and the somewhat larger ones in the center of the bouquet for a little bling.  It felt like something was missing, and that's how the brown lace made an appearance.



Splattered on Alcohol (Ink)

Tim Holtz's July tag in the 12 Tags of 2012 series is a patriotic one, perfect for this month.  It features a very fun technique that I believe I first saw in a video, and which was later in Volume 1 of A Compendium of Curiosities.  Or maybe it was the other way around.  All I know is, it made me rush out to Staples to get a can of compressed air.

I decided to go in a different direction, keeping to the techniques Tim used, but using a whole other color way and theme.  I love the water; my favorite colors are blues and greens, so here is my version:

I used willow, pool, citrus, and sailboat blue inks for the background.  Then I stamped those fabulous Wendy Vecchi fish twice.  First with emerald green archival ink, then right over top with black.  The dots (bubbles, really) were done with an old Stampin' Up wheel stamp.  I think the way the inks blew upwards looks a lot like seaweed, which is how I wound up going in the direction I went. The tag is topped off with some taffeta ribbon dyed with distress stains (peeled paint, shabby shutters, weathered wood and broken china) and a couple of ocean themed charms.

OK, I lied.  I didn't neglect Independence Day altogether.  I also did a red, white and blue tag; I just don't like it quite as much as the first one.

I was hoping my red pepper and stonewashed inks would resemble fireworks, but I'm not so sure about that.  The stamp, one of my favorite Statue of Liberty stamps (from Viva Las Vegas), was done with black archival ink.

I'm taking Joanne Sharpe's online lettering class, so decided to do my own writing.  Trust me, I've done better, but at least I'm trying.  It was written with a micron pen and colored with distress markers.

If I don't post again before then, have a safe and fun July 4th!

A New Challenge and A Sentimental Piece

Keeping my fingers crossed that google/blogger is finished messing with my photos.  I knew I enjoyed having a blog, but I had no idea how much it meant to me until I discovered all my photos gone and replaced with those hideous icons.  But enough about me and my technology woes.  This post is about a piece that means a lot to me.

Linda Ledbetter, the lovely lady behind the Compendium of Curiosities challenges directed us to page 35 of Tim's second book, and the pocket watch technique.  We did a pocket watch pendant on the last cruise, and I even taught a class on it last year.  I had several extra watches, and an idea I've had for some time.  After my mom moved back north to be closer to us, my brother and I went to her Florida condo to clear it out of personal stuff and ready it for rental or sale.  I wound up with lots and lots of photos and other memorabilia.  I've wanted to do a shrine project for the longest time, and with Father's Day approaching, decided to make my dad the focus.  He's been gone for going on 19 years, but hardly a day goes by that I'm not reminded of him by something I see or hear.

The shrine was created using pieces from two of Wendy Vecchi's art parts packs, artful shrines and scallop trim.  The pieces were colored with walnut stain distress stain, then covered with rock candy crackle paint.  Except for the scallop trim, which is barely visible.  That was covered with irregular dabs of old paper crackle paint. It's the second shelf that the hankerchief and belt buckle are resting on.  For the background I chose the vintage subway sign paper from one of Tim's paper stacks.  It has Brooklyn subway stops, and since my family is from Brooklyn I thought it appropriate. 

Inside the watch is a photo of my dad as a very happy 20-something.  In fact, the picture was taken on the Atlantic City boardwalk by my mom.  They were on their honeymoon, and the year was 1946. The ring inside is my dad's wedding ring.  Because the word 'memories' was raised up with foam, the ring is kind of trapped there and won't wander around the watch.  It's not glued down or altered in any way, and can easily be removed if I ever want to do that.  Beneath the watch is one of my dad's handkerchiefs.  I added the little car (a mini movers and shakers die) because I have fond memories of our early family cars.  The first I can recall was a Studebaker.  Am I dating myself or what?

Peeking behind the handkerchief is an Israeli coin.  I included it because that was a trip my parents very much enjoyed, and was probably the last big vacation they went on before my dad got too sick to stray very far from home.  The belt buckle with his initials was attached with a bit of wire, so it too was in no way damaged or altered.  The little NYS license plate is actually just paper, again from one of Tim's paper stacks.  It was covered with a bit of glossy accents and four tiny brads were added to look like the screws that attach plates to cars.

I attached Tim's easel die cut to the back so the piece would stand, but I was worried that because of the heaviness of some of the embellishements that it might tip over.  I thought about what I could add to the bottom of the easel to give it more stability, and came up with what I think is a pretty clever solution.

Can you guess what those two discs are?  Super strong (and weighty) magnets!  Their attraction to each other keeps them in place, and they really do a great job of preventing any toppling.  By the way, I cut the easel from very thick cardboard, reinforced all the folds with tape, then covered it all with gesso and then stain.  It was attached to the shrine with very strong adhesive, so I'm pretty confident about its durability.

If you're inclined to participate in this challenge, an extra bonus (besides just creating something) is that Simon Says Stamp will be given away a $25 gift certificate to a randomly chosen entrant.

Happy Father's Day, dad.  I miss you!

Let The Good Times Roll

One of my favorite collaborative art journal groups is the Artistic Evolution.  That's the one in which our pages are supposed to evolve in some way from the pages that came before.  If you'd like to know more, click HERE.  It's been a while since I've received a book to work on, so I was thrilled to get Gina's from Elena last week. 

Gina's colors (the ones she'd like to be predominant in her book) are purple, emerald green and deep blue.  So, I immediately thought of Mardi Gras.  The pages that came right before mine had lots of gold, and the text mentioned silk and gold dust.  That just reinforced the Mardi Gras theme in my mind.  So, I used some of my favorite phrenology head images (including Wendy Vecchi's art chick stamp, an Invoke Arts stamp, and some from an Alpha Stamps sheet), and dressed them up in Mardi Gras finery.

Here are my two side by side pages:



The backgrounds were done with Color Wash sprays, distress stains, Inktense pencils, stencils and both glaze and gel pens.  The revelers were colored with Portfolio water soluble oil pastels, metallic craft paint, and lots of glaze pens.  They all wear collars made from bits of left over ribbon that I shredded into tiny pieces.

Here are some closer looks.





Compendium of Curiosities 2 Challenge Begins!

Everyone who loved participating in the first Compendium of Curiosities Challenge (me! me!) was thrilled when Linda announced that with the publication of CC Volume 2 there would be a new series of challenges on her blog.  Finally, that day has come.  Click HERE to get the total scoop from Linda herself.  And, if you don't already own Tim's new book, click HERE to get your own autographed copy.  And just in case you recently returned from a lengthy alien abduction, click HERE to find out more about Tim.

The first challenge is to make a custom foam stamp and then use in on a project.The directions can be found on page 66.  I made a stamp from Tim's Townscape on-the-edge die, and used it to decorate a small unfinished wooded frame.

After a coat of gesso on the unfinished wood dried, I colored it with distress stains.  I used peeled paint and broken china.  I stamped the townscape foam stamp with black paint, then colored in the windows with distress markers (mustard seed and spiced marmalade).

In the tiny opening of the frame you'll see two separate Wendy Vecchi stamps (from her Homemade Art set) that I combined together.  The house is part of a much larger stamp, and in the original has writing inside the house.  Using painter's tape, I masked off the writing and the rest of the stamp, leaving only the house with nothing inside.  In that same set is the sentiment, which fits neatly inside the little house.  Random luck?  I think not.  Wendy is just too good about creating stamps that fit well together for me to believe in coincidences.

I used Ranger's black archival ink for the stamping, and Tim's distress markers for the coloring.  Now, if only someone I know would move into a new home I have the perfect gift.

The generous folks over at Simon Says Stamp are going to be giving away a $25 gift certificate to a randomly chosen participant, so what are you waiting for?  It's time to make a foam stamp.



Creative Chemistry, A Simon Says Challenge, and The 12 Tags of 2012

I completed my tags for the final technique at Creative Chemistry 101.  It is one of the easiest, and yet most lovely backgrounds I've seen.  In fact, I did two tags; one with the distress inks that Tim used in his example, and one using archival inks, just to see the difference.  Apart from the colors, not that great a difference.  I was just wondering about how the distress inks would react when remoistened, but it wasn't a significant amount.  I like it both ways.

The one on the left was done with distress inks; the one on the right with archival inks.

I liked this technique so much, I used it on my entry in this week's Simon Says challenge....which is to make something using Wendy Vecchi's products and or style.  I need a few thank you cards, so made multiples of this one:

The background stamp is the beautiful lace from Wendy's Sentimental Art set.  The large weeds are from her Well Worn Art set, and the smaller ones are from the Botanical Art set.  The background was done with distress stains and inks, but the weeds were stamped with archival ink, so they would remain intact after the last part of the technique was applied.  Sorry!  You'll have to take Tim's class to get all those details.  The sentiment is an old and much used Stampin' Up stamp.

Now that we're in a new month, Tim posted his April tag for the 12 Tags of 2012 ongoing project.  Click here to see what he did and all the step by step instructions.  And here is my interpretation.  I followed the technique as given, but used different die cuts.  I also don't (yet) own any of those cool word bands, so I made my own with a scrap of thin metal, some rub-ons, and archival inks to give the metal a softer patina finish.

I've been keeping busy with all this stuff to avoid what I really should be doing.....my taxes.  Yikes!  I just can't get in the mood for that! 

Painting The Town -- Creative Chemistry, Day 8

Today's lesson is all about paint.  Creative Chemistry starts off with a very interesting and informative video on Ranger's line of paint products, followed by tutorials in another video featuring the distress paint dabbers the distress stains, and the distress crackle paints. 

And once again, I learned something new.  Here are my three samples:

The first technique is dabber resist, and it was done on Claudine Hellmuth's sticky back canvas.  I used Tim's large flourish stamp.

The next tag features crackle paint resist, and I used stamps from Tim's pen and pencil set.

The final technique is called shattered stains, and it is a very impressive one.  Tim did his samples on grungeboard; mine is done on one of Wendy Vecchi's art parts.  Click on the photo for a closer look....it really does look like glass.  I attached it to an old background I'd done on a tag so I could include it with my other class samples, but I think it would make a fantastic pin.  I'm sure I'll be making lots more using this technique.

Grungy Monday -- Get Out the Tissues

This week's Grungy Monday is all about tissues.....Tim's tissue paper and tissue tape, that is.  The challenge is simple:  use either or both products on a project.  No other conditions or restraints.  So, remembering to be clever and multi-task, I decided to make a birthday card for my GM entry.

I started out with the idea in mind of using the tissue paper technique Tim used on tag 12 of the 12 Tags of Christmas this year.  Except that I didn't go back to review the steps.  I just plowed ahead, and as a result skipped a few along the way.  But no worries; my unintentionally simplified version works too.

I stamped the background with one of Tim's flourishy stamps, filling it up (using black archival ink), then covering it with a piece of the music tissue paper (using Ranger's matte Glue N Seal).  Since I skipped the step where you lighten the stamped images with Picket Fence Distress Stain, you can see quite a bit of the stamping under the music.  Which works for me.  I also skipped the wrinkling the tissue paper step as well as the cover it all with stickles step. 

To add even more tissue to the mix, the image I chose is actually cut from a decorative napkin, glued down with....you guessed it.....Glue N Seal.  I covered her printed feathers with some real ones and added a bit of bling in the center.

The bits of sparkle around the edges comes from Suze Weinberg's Beadazzles (in Purple Rain).  In case you don't know, Beadazzles are a great mix of micro beads and glitter, and I stocked up on a huge number of them at a Ranger Warehouse Sale a couple of years back.  I don't even know if they are still manufactured, but they are a very cool embellishment.  And a tip:  after adhering them to your project, a light coat over top with....yep.....Glue N Seal, will keep them all in their place forever.

The birthday greeting was made from Jenni Bowlin's mini letter stickers.

If you look closely, you can see some of the stamping/music tissue paper through the image of the dancer, and I think that is very very cool.





The 12 Tags of Christmas -- Day 12

So, it's the 12th and final tag of Christmas for 2011.  Kinda sad, but I think Tim and Mario need those 6+ hours back each day, not to mention running all over Prescott looking for a signal when their internet goes down.  Thanks for the fun, guys.  Your generosity is beyond measure.

Today's tag features one of Tim's little faux frozen Charlottas.  You know, those bizarre porcelain dolls with missing limbs.  I don't have any of his version, but I knew I had a bag full of some I'd gotten on the internet, but when I looked......no bodies, just heads.  Even more bizarre.  So, that caused me to change up my design quite a bit.  One head would have looked a bit lost sitting on top of the artful dwelling that Tim used.  So I did a rosette instead.  Which would lead to another change, and another......well, before I go into all that, here is my tag:

First, I should mention that I did use the background technique with Tim's tissue paper.  What I added after the stickles was some weathered wood distress stain.  And under the tissue paper I used the background stamp from the Papillon set.  Much of this is covered with the tag's embellishments, but it is a really lovely background.

I don't have the decorative strip die that Tim used to make the faux German scrap, so I thought I'd try one of my border punches.  Varied success.  The first one I tried, a Martha Steward punch, didn't cut through the metal tape all the way.  My second choice, also one of Martha's, worked perfectly.  Go figure.   If you don't have any decorative punches, maybe you still have one of these oldies but goodies lying around:

That's right, decorative scissors work like a charm.  And if you want more detail, you can pair them with a decorative hole punch.  Here are some examples.  The first is the border punch I wound up using; all the edges of the ones that follow were done with scissors.  The one in the middle also has my tiny flower shaped hole punch.

A closer view of my faux German scrap (the metal tape I used was glaringly bright so I toned it down just a bit with some black archival ink):

For the letters, I did use Tim's tip of cutting them twice; once from the cardstock covered with metal tape, and once from black cardstock.  They really do pop.   And I discovered that if you attach your metal to textured cardstock, when you run it through your die cut machine the letters take on that texture.  How cool is that!  Good way to use up those pieces of paper with nice texture but hideous color.  You know, like that neon paper pack that was such a big bargain.  :))









I made a tissue paper flower, following Tim's easy directions, and it is so sweet:

Too bad I couldn't find a use for it on this tag.  Remember, I opted for the rosette, and it and the flower were just too close in size and shape, and looked terrible together.  So, I adapted another of Tim's tissue paper techniques, and using my trusty fringe scissors (yes, I really do have a pair), I followed the pom pom directions, but stopped just shy of  making the pom pom and popped the fringe behind the rosette.

I haven't figured out yet what will occupy my early mornings now.  Sleep, maybe?????







The 12 Tags of Christmas -- Day 4

The tag Tim created today is (like all the rest) full of doable techniques, and as usual, I wanted my tag to include them all, yet look different.  Tim's focal image was his snowman die, cut from grungeboard.  I couldn't find a Christmas themed die amongst my many that would also take a movers and shapers die cut into it, but then I remembered my package of seasonal grunge shapes.  The two large ornaments seemed a good substitution.

Other than changing up the images and colors, I followed Tim's instructions for all the techniques.  I used the following distress stains on the background:  picket fence, peeled paint, bundled sage, and forest moss.

The ornaments were covered with white paint, a thick coat of rock candy distress crackle paint, and then several stains in the red family:  barn door, fired brick, and aged mahogany.  Instead of using the tulle buttons as an accent, I incorporated them into the decoration of the ornaments.  The larger of the two had enough space to cut one of the movers and shapers snowflakes from the center; I just left the smaller ornament whole.

This tag, though not complicated, took the longest to finish because there was so much drying time involved.  Thick crackle paint takes a long time to dry, as does the layer of glossy accents that fills the opening in the ornament made by the snowflake die. 

I'm more than ready now for tag #5!



Yes, I'm Still Here.......

......and can't believe it's been more than a week since my last post.  First I was out of town on family related business, and then I was too exhausted from that, and then it was suddenly Thanksgiving.
That's it for me; I'm all out of excuses.
Right before I left I received Elena's journal from our asian themed round robin group, and today I finished my pages.

Above is my two page spread.  Elena had requested that we have a black border or frame, so I cut my watercolor paper about an inch smaller than her book and used black distress stain to make the border.

What I like most about these pages is that I think that everything I used on them is something that I received from a friend.  Here are closer views of the two pages:

The first layer on the paper is a bunch of small squares cut from colored paper I received from Lee.  Over that a coat of thinned out gesso, followed by some asian text from a newspaper I got from Teri.  The gold and orange you see is joss paper and I think I got that from Sox.  The bamboo is from a decorative napkin and if I'm not mistaken, Elena sent that to me.  The beautiful images of the Japanese books are from a catalog that Kyoko brought all the way from Japan and gave to me on the cruise.

For better or worse, the haiku is all mine.  I know Elena loves to read, which was the inspiration for these pages.

Inspiration Showcase -- The Completed Canvas

There were three new techniques today, all what Jennifer refers to as "finishing touches."  And so all there was left for me to do was put together my canvas of sample birds.  I chose a 6x12 canvas.  Why?  Because that's what I had in the house!  I didn't attempt to do the rows of daily samples.....one way there wouldn't be enough room horizontally.....the other way there wouldn't be enough room vertically.  So, I just attached the samples four in a row (except for the last row), and they fit beautifully.  They are in the exact order as presented in the classes and I have a list on the back of the canvas to remind me.  Of course, I've also downloaded all the PDFs, so I'll have them as a reminder as well.

In Jennifer's canvas it looks to me like she didn't do anything to the canvas itself, which I understand.  The samples should be the star.  But I didn't like the starkness of the white, so I used some light colored distress stains and inks (mainly old paper and weathered wood) to add just a bit of softness.

First, here are the final three samples, pigment pearl and an embossed button embellishment, distress stickles and pearl painting on the wing, and glossy accents resist and solid embossing on the wing.

And here is the finished canvas.  I used pop dots to attach my birdies, except on the rosette one, as it is already pretty dimensional.

And the back of the canvas has the list of all the techniques for handy reference.

More Inspiration, A Wonderful Guest Teacher, And Another Steampunk Tag

Today's in depth review of some of yesterday's techniques from Jennifer McGuire's online class was fun, and I'm already thinking about how to use a few of them on this year's holiday cards. 

But, I have to tell you, (no surprise here), the biggest thrill was a bonus technique from Tim Holtz.  It involves grungepaper, distress stains and distress crackle paint, and it got me so excited I started cutting shapes at 5:00am!

I hope you can see the awesome texture on these pieces....click on the photo for a closer view.  BTW, if you have a base tray you can fit an awful lot of the mini movers and shapers on it to cut at one time with very little waste of the grungepaper.  I just had the most fun all morning, making these, and now I'll have plenty of embellishments on hand for future projects.

Yesterday I did another steampunk tag for the upcoming swap on ATT.

The background paper is from a stack my friend (and ATT list mom) Gloria sent me a while back.  I believe it is DCWV.  I punched some holes along the right side so that's another paper peeking through.  The lovely lady is one of Graphic45's Steampunk Debutantes....at least from the waist up.  I combined her with the bottom part of Tim's dressform stamp. 

The gears are a mix of idea-ology pieces and die cuts (those mini movers and shapers again), which were colored with black paint and then dabbed with copper.  Recognize that bird on her mechanical arm?  Yes, it's one from today's online class, and I couldn't resist adding it to this tag.

Oh, and I just have to say......one week from today I'll be winging it to Florida for the Tim Holtz cruise to the Caribbean.  Can't wait to take the classes and see all my crafty friends.  ONE WEEK!!!!





Lace and Fabric and Tags, Oh My

As is often the case, inspiration began with a blog, was enhanced with a video, and just took off from there.  Elena, the ringleader of most of my collaborative projects sent everyone a link to this video, with the comment, "I HAVE to do this!" 
Prior to that, I was blown away by the lace journals my friend Sox has been making.
The result is kind of a cross between the two, and I'm really excited about it.
Over the weekend that NY was hit by hurricane Irene, I worked on making a book to distract me from the howling wind and torrential rain.  It was supposed to be an exposed spine book, but I totally messed up the sewing, so wound up covering the spine with fabric, which led to more fabric and lace. 

Above, the front of the book, embellished with some Prima loveliness and beaded trim.

The back....so far.  I'm not sure that I'm finished adding fabric, lace and trim.

The pages inside are paper, and some signatures were wrapped with patterned paper, and some with wide pieces of lace.  I think this does two things.....for sure it adds a bit of interest, but also, it makes the pages stand a little more apart from each other, allowing extra room for embellishing each page.



And some pages, like the one above on the left were cut from scrapbook paper instead of plain white paper.

If you checked out the video, you'll see that the tag project was done with a totally fabric journal.  I didn't have a huge selection of upholstery weight fabric in the right size, but I did put one together.  I sewed all the pieces together as one signature, and I did that sewing by hand, not wanting to risk messing up my very basic (and inexpensive) machine.  It's OK, and I may use it, but I'm thinking right now that I'll be a rebel and use the book I showed you above instead.  I have plenty of time to decide, as I have to wait for the other 15 people in this project to make and send me their tags.  Anyway, here are some snaps of the fabric journal.....totally unembellished, but when you view the video (if you haven't already) you'll see how cool it can turn out.

We decided that our tags could be any theme, but that we'd all include some Tim Holtz stamps, die cuts, embossing folders, etc.  Thanks to a lot of horrible rainy days I was actually able to finish all of them, waaaay ahead of schedule.  We're sending them on with coordinating lace trim and buttons to assist in the decorating of the books.  All my tags are of the same design, with some variations in color and trim.  The first picture shows a part of four versions:

The beaded trim is attached to the bottom of Tim's dress form from his "Sewing Room" die.  The forms were cut from several different colors of the Core'dinations paper that matches the distress line.  The torsos were covered with french text.

I stamped Bon Voyage (a Stampsmith stamp) on vanilla seam binding ribbon (Stampin' Up) with black archival ink, which is permanent, so I could then dye the ribbon by swiping it with Old Paper distress stain.  A quick blast with my heat tool and they were dry, and wrapped around the dress form.

I cut up some zippers to use as the tag toppers and kept them in place with some twine.  Why the staples on the top?  Well, the zippers I used are craft zippers and they came with adhesive on the back.  I folded them over, but the adhesive wouldn't hold and they kept separating.  I tried other glues with no success, and removing the adhesive was a nightmare, hence the staples.

The little butterfly resting on the dress form's shoulder is from a Stampin' Up sizzlet die, cut with Core'dinations paper left over from cutting the dress form.  With a little added bling.

And, here is a full shot of one of the tags.  The background is a piece of a brown paper bag, stamped with sewing themed stamps from both Tim and Stampin' Up, then embossed with Tim's Sewing Room folder.  Behind the dress form is the Eiffel Tower, cut with Tim's glasseine paper with an old Sizzix die.  I know I seem to have two themes going here.....Paris and sewing, but they feel like they belong together.

Oh, and how could I forget to mention that I attached the brown paper to my tag base by running a zig zag stitch around the perimeter....on my machine on all 15 tags.  Yes, I am  proud of myself for that.