Heading East

Last weekend, with a to-do list longer than my arm, I abandoned everything I was supposed to do in favor of what I wanted to do.  I recently signed up for an ATC swap at Little Bird Creations, something I haven't done in years.  I literally have hundreds of these little works of art from years ago swaps, but have rarely done any since I've gotten into art journaling and collage.  Anyway, the theme is Japanese/geisha, and since I have a ton of related supplies, I decided to go for it.  They're not due until June, but you know how it goes with me and my stubborn muse....strike while she is hot or she will run away and hide.

I began by covering a sheet of 8 1/2 x 11" cardstock with some Japanese text.  I remembered a trick I'd read for getting 10 ATC from one such piece of paper, and cut them out.  Here's this handy tip:

1. Cut two lengthwise strips 2 1/2" wide, leaving one strip 3 1/2" wide.

2. Cut the strips crosswise: the 2 1/2" strips will be 3 1/2" wide, and the 3 1/2" strips will be 2 1/2" wide.

Then I added some texture with this embossing folder (I was able to do two ATCs at a time):

 

 

And then some transluscent color with these paints:

 





So much for the background; now onto the main image, which I got from this:

The above is 8 1/2 x 11", so I only used the head and shoulders, and that pretty much filled up the ATC.

All of this resulted in:

 

 

To color the images, I used my favorite cheap-o art supply:

 

 

 

And to decorate the colored kimonos, I used some of my favorite pens.  Because the Portfolios have a waxy surface, not every pen will write well over them.  I've ruined many a good pen learning this, but my Sharpie poster paint pens, Molotow acrylic pens, and Sakura glaze and souffle pens glide over the Portfolios with no problem.

 

 

 

Although the design is identical, the decoration changes from ATC to ATC.  And though it wasn't my intention,  even the faces all look different.  The face on the original image was very faint, so I had to go over the lines with a pen.  Even the slightest difference in my drawing changed the expression.  I'm not complaining, just explaining.  And of course I totally enjoyed coloring and doodling on the clothing, using varying colors and patterns on each.

 

 

 



 

 

 

I used very narrow red German scrap for the hair accessories.  The flowers are tiny Primas over small Stampin' Up blooms, with a dot of platinum stickles in the center.













Resin!

Last weekend I took a resin workshop with Isolina Perez at Michele's studio.  In addition to learning about and using three different kinds of resins, I got to spend a day with so many of my artsy friends.  What a treat!



Isolina provided everything we needed, and we started out using Ice Resin, since it has the longest setting/curing time.



 

 

I had to wait three days for this resin to cure, and then I was able to add some findings to create wearable art.  To turn the little charms containing Van Gogh's irises into earrings required some metal surgery, which I'm happy to say was successful.

 

 



Klay Resin is very cool stuff.  We used it to embed an image, which would later be part of a larger piece.  But you have to work very fast....curing time is about 7 minutes!  For the base the embedded image would sit on, we used copper, which we cut, filed, embossed, and patinaed. 

 

 

I really do love working with metal.  Here is my finished piece.

 

 

 

Crystal Clay is similar to Klay Resin in that it is also a two part clay that comes in colors.  However, it doesn't set for about an hour or so.  We created pendants using this resin with charms and bezels, stamped on it, and embedded crystals into it.  I made two pieces and when I got home, decided to combine them into one.

 

 

 

A few students had already left when this group photo was taken, but you can see how happy we all are.

 

 

 

I'm looking forward to Isolina's next class, and hope it is scheduled soon.   Make sure to check out all the offerings coming up at Michele's; there's bound to be something on the calendar you'll love.





 







 



Another Ancestor Shows Her Face (and a few other things......)

The Vintage Ancestors round robin is coming to an end.  Sox just sent my book to Elena, and then it comes home to me.  I just finished pages for Teri's book; I'll hand it off to Pat and then it will end its journey and return to Teri.  She has a sewing theme, and started things off with Mezzo Couture, a fashion house of great prominence.  Pages full of lush fabrics and beautiful papers followed, each showing fashions from the Mezzo salon, modeled by various friends, relatives, and clients.  Sue had brought up Aunt Rose, and I thought if Aunt Rose is living in Paris, and if she had a daughter, something interesting could have happened.

Hidden behind the ribbon is the story. 

 

 

Yep, one of Teri's ancestors danced with the Folies Bergere!

 

 

 

You just never know what might happen when you leave your family tree in the hands of your friends.  LOL!  I will miss working in these journals.  Although we all agree that some of our genuine ancestors are even stranger than the ones we invented, this has been such great fun.







Spray (and paint and stamp and draw) AND Paste

The Mad Scientist, Part II

I just couldn't stop....wondering how Wendy's metallic embossing pastes would look over some more of my favorite coloring media.  And of course the wondering led to the experimenting, which led to a whole lot of colorful sample pages.

Row 1:  Portfolio Water Soluble Oil Pastels, applied dry.
Row 2:  Portfolio Water Soluble Oil Pastels, applied wet.
Row 3:  Ranger Distress Markers.
Row 4:  Ranger Distress Ink (applied with ink pad direct to the paper).
Row 5:  Ranger Distress Stains.

Stencil:  Michelle Ward for Stencil Girl.

 

 

Then I decided to use Ranger's Color Wash sprays again, but this time stick to some deeper, darker colors.  I didn't expect to be wowed by the results, but I was.

 

 

Stencil:  Circle Explosion, The Crafter's Workshop

 

 

I had a few misters full of homemade sprays.  These were made with Distress Reinkers and Perfect Pearls.  Don't ask me which colors, because I didn't label them and made them ages ago.

 

 

Stencil:  Stencil Girl (one of the the March stencils from the Stencil Girl monthly club)

 

Before hanging up my lab coat I decided to see how the pastes would react when applied over paint.  And I do have an awful lot of paint.  I narrowed my sampling down to the ones I tend to use the most.

 

 

 

Rows 1 and 2:  Ranger Distress Paints

Row 3:  Ranger Claudine Hellmuth Acrylics

Rows 4 and 5:  Golden Fluid Acrylics

Row 6:  Your garden variety store brand acrylic, the kind you find under the Dick Blick, Utrecht, or Cheap Joe's brand, to name a few.

 

 

Stencils:  I have no clue.  They are very pretty border stencils, but the manufacturer is not printed on them and the original packaging is long gone.

I thought I was finished, but went back and filled a page with Derwent's Inktense Color Blocks.  These are highly pigmented inks in stick form, and when water is added they produce intense yet translucent colors.  And when they dry, the color is permanent.

 

Stencil:  Daisy Cluster, The Crafter's Workshop

 

I just had to try the pastes over alcohol inks.  First I coated the page in my journal with Ranger's glossy glue n seal to create the nonporous surface the inks work best on.  Then I applied a variety of inks the usual way, pouncing them on with the felt covered tool.

 

 

 

Stencil:  Diamonds by Julie Fei-Fan Balzer for The Crafter's Workshop







Have I come to any conclusions?  Well, in my opinion, these metallic pastes look great over everything I've applied them to.  My personal preference is the gold....most of the time.  I just think the underlying color comes through a little better with it than the silver.  Also, a lighter coat of paste (usually) reveals more color than a thicker coat.  I've noticed exceptions to all these observations, so bottom line:  just go for it, have fun playing, and honestly, I doubt you'll be disappointed in any of your results.















Spray 'N Paste

Yesterday, Lori (list mom of Everything Wendy Vecchi) shared a link that really inspired me.  Britta Swiderski did a video of her technique of applying Wendy's metallic embossing paste over a background of Dylusions spray inks.  There is an interesting reaction between the two, and the results are just gorgeous.  Just click on Britta's name to see what I'm talking about.

Anyway, Lori decided that the new challenge at EWV would be to use that technique on a project.  First I pulled out my great big, nearly untouched Dyan Reaveley journal, and decided that this would be where I'd do my experimenting from now on.  With no worries about the finished product.  So far, it's working for me.

Here are a few of my experiments.  First, a background with some of the green Dylusions and a Michelle Ward Stencil Girl stencil with gold embossing paste.  Then, another part of the same background, same stencil, but this time I used the silver paste.

 

 

Next, I used Wendy's stripes stencil.  First I applied the gold paste holding the stencil so the stripes are vertical.  After it totally dried I repositioned the stencil right over the vertical stripes, this time holding it horizontally,  and applied the silver paste.  Before removing the stencil I very lightly pounced over the paste with a paper towel for a little extra texture.  This isn't the greatest photo; it's really striking in person.

 

 

 

Then I decided I should try the technique with different colored backgrounds.  Again, these do look way better in person.  First, some deep purples/blues with gold paste, followed by pinks/reds with silver paste.  And the stencils I used are Wendy's layered flowers. 

 

 

 

Before leaving the experimental phase and actually using this technique in a project, I started to wonder how it would work with a different spray.....namely Ranger's Color Wash.  Now, generally, the Color Wash sprays are darker and earthier than the Dylusions, so I just used the brightest that I had.....butterscotch, terra cotta, and red pepper.  And I didn't bother with a stencil.  I just scraped some gold paste over the dried ink with an old credit card.

 

 

 

I think the Color Washes work well, at least the shades I chose.  The next time I decide to play mad scientist I'll try this with some of the other colors.  And while I'm at it, I'll see what happens when the paste is applied over other sprays, ink pads, crayons, chalks......

 

Here is the journal page I did for the challenge.

 

 

 

The gold paste was applied over Wendy's lovely leaves stencil.  When the paste was nearly dry but still a bit soft I pressed a stamp onto the leaves (any old stamp; I wasn't trying for an image, just some texture).  I also used a stylus to make some dots. 

 

By the way, I keep a few sheets of deli paper on my table, and use it to blot off excess inks, paints, sprays, etc. After a day or two of blotting action, the paper is full of colorful goodness.  The two butterflies (Wendy stamps) were stamped onto one of those sheets, cut out, and then glued onto the page.  The page also has some random stamping, doodling, and little dots of paint.

 

**CAUTION**  If you're experienced in such things, this warning may seem as obvious as a take-out coffee cup announcing that the content is hot, but if you're new to all this, you'll be thankful.  WASH THE EMBOSSING PASTE OFF YOUR STENCILS AND STAMPS BEFORE IT DRIES!  I'm just sayin'.











This and That

This is what I've been up to lately.  I was too tired yesterday to blog, so I posted some of these on FB.  But, there is something new here.  :)

One of the many gifts from Elena at Keys4Art was the complete collection of Julie Nutting's whimsical doll stamps.  Even a confirmed old anti-cutenik like me finds them irresistible.  I used them on a tag and a card.

Stamped on Ranger's Specialty Paper, colored with distress markers, doodled on with glaze pens and souffle pens, and cut out.  The conversation bubbles were traced and cut from a template of various sized and shaped bubbles I've had for years.  The words are all bits of two different (and very old) Stampin' Up stamps.



 

 

The tag (from Prima's tag book, the perfect size for Julie's stamps) was inked a bit.  Instead of coloring all of this doll, I stamped the clothing (and headband) on various papers from Jenni Bowlin mini paper pads, cut them out and attached them to the doll.  I added the bouquet of flowers and the two flowers in her hair.  The sentiments are also old Stampin' Up stamps.

 

The challenge at Everything Wendy Vecchi was to use distress embossing powder and at least one of Wendy's stamps.  I did that and then some on a journal page.

 

 

 

The two striped flowers are Wendy's stencil, filled with her gold embossing paste.  The third flower is from Stencil Girl, and that was embossed with broken china embossing powder.  More distress embossing on the leaves, and the rest is stamping.....Wendy's and even a few I've cut myself.

 

Remember my polymer clay mouse from last weekend?  The oil paint we used finally dried enough for me to add some embellishments.  Striped stockings, polka dotted sleeves, and some pretty shocking shoes.  And you can't see it, but....I filled her crown with gold micro beads.  As befits a royal mouse.

 

 

 

I received another book in the Kindred Souls round robin.  This one is Deb's, and her theme is "vintage feminine."  I used one of my favorite images.

 

 

 

By using both Tim's regular sized and mini cabinet card die as an insert, I was able to create the frame, which was embossed with Cuttlebug's vintage wallpaper folder.  It was cut from a piece of Ranger's foil tape sheet, and altered with a mix of Ranger/Vintaj patinas and distress paints.

 

The flourishes on the left are not stamps....they're Tim's rub-ons.  The flowers (sprayed with perfect pearls mists) are Primas, and the stick pins were made by my friend Carla.....she gifted everyone with a set of them at Keys4Art.  The pearls and lace are from my stash.

 

So, I'm caught up again.....just waiting for the next journal delivery.