Fifty Shades of.....White!

Many years ago, my introduction to collaborative art journals began with the book True Colors.  It chronicled with breathtaking illustrations a collaborative effort between 15 outstanding mixed media artists.  The originator was one of my favorites,
Lynne Perrella.  Each artist chose a color palette for their book, and Lynne chose white.  Ever since then I've wanted to do a primarily white book.  If that seems boring, think again.  As anyone who has ever headed to Home Depot to buy white house paint can tell you, there are at least 50 shades of this color. 

The Kindred Souls group I belong to is just finishing up our first round robin, and for our second we're doing a color theme.  I signed up immediately and chose all the shades of white plus a touch of black.  My first task, to create the journal itself.  Here are my covers.

front:

 

close up:

 

back:

 

inside:

 

 

As you can see, I had a little a whole lot of fabric and lace leftover from my recent vintage lace round robin.

 

 

Next, my own page to get things started.  I recently was fortunate enough to take a class with Anna Dabrowska, AKA  Finnabair, and was happy to use many of the leftover elements from that class.  And her techniques for making all those diverse pieces work together through color.

 

 

 

It began with a grid of scrapbook paper rectangles, most of which was covered with a dry brush application of white gesso.  Then the image of the woman was added.  Ribbon was twisted and adhered for her head scarf, and her clothing was gessoed over so I could decorate it with ink and stamps.  Her sleeve was done with a Michelle Ward stamp, and the body with stamp I carved myself.

 

 

 

I then began adding my assortment of metal, wood, and paper embellishments.  They were all covered with gesso, paint, and sprays.  My last step was to add some stenciling (again, by Michelle Ward) to the background.  I used black paint, then toned it down with a whitewash.

 

 

 

I couldn't be happier with the way it turned out, and I just can't wait to see what everyone else does in my book.  It is packaged and ready to begin its journey.  First stop, Michigan!



 

 









Time To Get Surreal

**Note:  I can't believe it's been almost a month since I last blogged. No, I did not fall into a hole, nor was I abducted by aliens.  I've just gotten kind of bogged down with life, and I'm working on eliminating some of the things that have been cluttering things up for me, both literally and figuratively.  Now, back to the scheduled program....


"If you see a bus crash into someone’s front porch while a caged dog barks in the side yard, near a man in a business suit who is grilling hamburgers, you might call that a surreal image. Things that are surreal combine unrelated elements to create a bizarre scene."

That's the definition of surreal that I found on Vocabulary.com.  It is also the theme of the current ATC swap at Michele's Little Bird Studio.  What to do, what to do?

I've always loved phrenology head images and find them to be rather surreal, so I decided to start there, and used the Invoke Arts stamp.  And I decided that the head exploding and releasing butterflies would do the trick.

 

 

 

I figured the back should be as surreal as the front, and I always like to refer to my home town and favorite city in the world, so I came up with this:

 

 

 

C'mon, Lady Liberty with my head on a platter, gotta love it.

 

I'm delivering my swaps to Michele today, and I look forward to seeing what I'll be getting in return.





 



The Lace Journey Ends......And Some Art With Friends

Just before the start of the Memorial Day Weekend, I received Marita's luscious lace journal from Elena, and spent a good part of those days working on it.  Marita's is the last one I had to create for, and soon I'll be getting my own back.  I've loved being a part of this group, and fully intend to continue to incorporate fabric and lace into my projects.

Marita's theme included vintage faces, hankies, and the colors ivory, ecru, and black.  In anticipation, I set aside all the elements I thought might work, and selected a focal image.  So when I actually had the book in my hands, putting together my spread came very easily.  Don't you love when that happens?

You can see I had plenty of lace in the right colors; the pocket for the "hankies" is just an oval doily cut in half.  Since I didn't have a hanky that went well with the colors Marita requested, I made a faux one with black and white netting.



 

 

There is a bit of batting under the image to make it puff up.  I went over her headband and earrings with flat backed pearls and crystals; the gold "chains" on the earrings are lines of Ranger's Liquid Pearls.

 

 

 

The back is simply decorated with lace and some beaded trim.

 

 

 

As for the "art with friends" portion of the title.....I recently got together for a play date with Pat and Teri.  After a wonderful Greek dinner we headed for Teri's place where we each brought a project.  Pat was up first, and we received these:

 

 

 

What to do with a wine glass, a paper template, and an electric votive candle?

 

 

 

Pop in the candle, then using the template, cut out a skirt.  I used a gelli plate page that my pal Lillian gave me when we were at Keys4Art in March.  A dab of glue holds it together.  I used decorative scissors when I cut the top and bottom, and a tiny flower punch to make some holes so the light would shine through.  I also added the beaded trim because.....well, because Pat thought it was a great idea, and it was!

 

 

 

Pardon the pun, but Chinese take out food takes on a whole new light when consumed with this little beauty on the table.

 

Teri's project was altering old photos.  She picked up a huge supply at a second hand store.

 



 

 

They do have to be traditionally developed photos, not computer printed ones.  It's all about the coating.  First we submerged them in water for a few minutes, then dried them off, and proceded to scratch and sand them.  On some I altered only sections, on some the whole photo.  It's a very cool way to isolate one area and then create an entirely new picture surrounding it.  After scratching and sanding, we added paint, and then some stamping.  Here are three I've completed.  I like this!

 

 

You can't see the original photo at all on this one:

I left the stones untouched; I think it looks like seagrass

and weeds are growing out of water:

On this one the wall was unaltered, and the cityscape

stamped over it.

 

 

 

My project was a birthday card using the wrapped package from Tim Holtz's Birthday Blueprint set.  I've seen a few very similar cards in the blogosphere, so I'm not taking any credit for the design.  I have no idea who originally came up with the idea of paper piecing, but it sure wasn't me.  Coupled with pop dots, it does make for a wonderfully dimensional card.

 

 

 



 











Eclectic Vintage Gentlemen

The title refers to the theme of Stephen's book in the Kindred Souls round robin.  NOT to my social life.  The book was waiting for me when I returned home from Key Largo, and in between posting about the retreat, I worked on my page for him.

The pages that were already done were so interesting and different (eclectic is the right word!).  I had an idea of what I wanted to do, and for a change it didn't take me too long to figure out how to accomplish it.  I wanted a steampunk feel and a bit of humor.  Oh, and it had to be easy to look at too.

So, here are the brothers Boeing, imaginary founders of Boeing aircraft, in the early days of air travel.

The background started with paper from Graphic 45's Steampunk Debutante line.  I liked all the hot air balloons on it, but the paper was very dark.  I lightened it up by scraping some Ranger picket fence distress paint over it with an old credit  card.  It was then light enough to add some stamping, stenciling, paint splattering, embossing, and so on.

The three gents are from a Tim Holtz stamp (embossed with walnut stain distress embossing powder). I did have to cut them apart and squish them together again to fit them into the basket.  Also from Tim is the compass (embossed with black powder), as well as the small images on the bottom right and the two balloons on the upper left. (All from the new Tiny Things stamp set).
The balloon carrying the brothers off is from Oxford Impressions, stamped on glossy paper, embossed with black powder, and colored with a variety of alcohol inks.  There are also some other balloons from Oxford Impressions, but I'm not sure if you can see them.  Both the balloon and basket are raised up off the page; the basket with pop dots and the balloon with a wiggly springy thingy.  It bobbles when you touch it!



The metal scallop border is by 7 Gypsies.  The balloon's basket is from me.  I just cut a shape, covered it with some scraps from my gelli plate print pile, and added some gold embossing.  The ticket on the top is also one of Tim's stamps.  Oh, and there is a tiny compass glued to the center of the compass stamp.  There are also two air travel related charms dangling from the page that you can't see much of in the photo.

The back of the page in this round robin is supposed to be finished, not highly decorated, and contain our information.  On the page Stephen did, he put Laurel and Hardy on the back, and everyone who followed did the same.  Who am I to argue with success?  I found an image from a film in which the funny men flew a plane.  Perfect!  And you can still see most of the Graphic 45 paper I used underneath.

 

 

 

If Stephen likes this even half as much as I enjoyed making it, I'll be satisfied.





Butterflies A Poppin'

The most recent challenge at the Wendy Vecchi yahoo group was to make something that included some sort of pop up (could be done with the Sizzix Pop N Cut die), hearts, glitter, and at least one of Wendy's stamps.  This coincided with my needing a birthday card for a friend, and I had immediate inspiration.

After completing the card (which was more involved and took longer than I normally take in my card making), photographing it, putting it in an envelope for mailing, and posting it on the group site, I realized one tiny little problem.  Oh dopey me....instead of using hearts, I used butterflies.  LOL!  Well, I appealed to a higher authority (that would be list mom Lori), who assured me in her unique style that there would be no challenge po po coming after me, and my entry could remain.  Phew!

Although I do have the Sizzix die, I was intrigued by an accordian fold pop up card by Sandi Genovese (remember her?).  You can find the video here. (Thanks Vic for sending us the link!)      So that is what I used as my inspiration.

Here is the front of the card.  Deliberately plain, because all the action is on the inside.

 

 

The background is Graphic 45 paper, over which I stamped four of my many butterfly stamps (the two on the right are Wendy's).  The very top one was cut from another Graphic 45 paper, and attached only in the center, so the wings could flutter a bit.  The stamped butterflies were colored with distress markers.

 

The inside.....which, you'll have to trust me, is more impressive in person.  A little difficult for me to photograph well.

 

 

The largest butterflies are stamped images which were colored and cut out.  The four in the front row and the one in the middle of the second row are from that same Graphic 45 paper from which I cut the one on the card front.

 

The birthday greeting is a Wendy stamp.

 

 

The bottom of the inside is a strip of Tim's tissue tape.  The two stamped butterflies are Wendy's again, and those were covered with Glue N Seal and then sprinkled with distress dry glitter in clear rock candy.

 

 

 

Oh, and all of the paper on the inside is Graphic 45 as well.  I'm not sure of the collections they came from as I was just grabbing papers from my stash.....my not terribly well organized stash.







Let's Face It....

You'd think I'd be tired of collaborative journals by now.  Nah!  So when Gloria, list mom of Kindred Souls, offered one, I jumped right in.  It's a nice sized group that signed up; there are ten of us, so I don't think this one will take a year to return home.

I selected faces as my theme, and used my Cinch, some book covers, and good quality watercolor paper to construct the book.  I used the largest coil so there would be plenty of wiggle room for pages made thick with embellishments. 

The cover:



 

The inside front cover introduces the participating artists:

 

My page:

 

I don't know who gave me the image, but I do know where I got it.....last year's Keys4Art retreat.  We'd all brought lots of faces to use in our workshop with Lynne Perrella, and shared our extras.  I love her face and have used it in several projects.  It is a black and white copy which I colored with my Portfolio water soluble oil pastels, and then decorated with metallic paint and stencils, stamps, rub-ons, and some bling.  You can't see much of the background, but it is made of many layers of paint and stenciling, and some french script from a stamp.

 

The back could be kept simple, and mine is:

 

For the back cover, I tore up some patterned tissue paper and applied it with Ranger's Glue N Seal Glossy.  I then took a set of face stamps I've had for ages (from I Brake For Stamps) and using archival ink, stamped them on plain tissue.  The were cut out and collaged onto the patterned tissue, again with the Glue N Seal.

 

We have a February 1 launch date, but since I'm mailing to Canada, I'll be getting this out soon.  Everyone has selected different and interesting themes, and I can't wait to get my first book to work in.



Distress Markers/Inspired by Asia

Before I sat down to work on my friend Lori's (no, not Lori of I Been Thinkin' 'Bout Inkin' fame; another Lori) Asian inspired journal, I decided to head over to Linda's blog to check out this week's Compendium of Curiosities 2 challenge.  As luck would have it, the technique (on page 50 of Tim's book) coincided with my plans for the journal.

It's all about distress markers this week; using them for coloring, using them for stamping.  Here is the page where I used them on just about everything:

 

The kimono (a Judikins stamp I've had forever) was stamped on Ranger's specialty paper.  I used embossing ink and black powder.  I like to emboss the outline of a stamp I plan to color; the embossing helps keep each color from straying into other areas.  The color palette used:  tattered rose, worn lipstick, scattered straw, shabby shutters, crushed olive, and wild honey.

 

You can also see those colors in the background, which is layered.  I started with paper run through a Cuttlebug folder (from their Asian set).  I highlighted the raised areas with worn lipstick and shabby shutters, which came out way too bright.  So I covered the whole thing with tissue paper.  That helped a little, but not enough, so I then dry brushed some gesso until I got the look I was after.  Then the bamboo leaves (a Stampin' Up stamp) were applied around the edges and colored with crushed olive.

 

The kimono was attached with pop dots to paper that had been embossed with another folder from that Cuttlebug set, colored with worn lipstick (and then some vintage photo to tone that down), then sprayed with Perfect Pearls Mists in forever red for a little sparkle.  Here's a closer look at the kimono:

 

 

 

This is what the two page spread looks like.  The background for the other page is similar.  Bits of joss paper were applied and covered with dry brushed gesso to soften the bright colors.

 

 

 

The photos on the bottom came from an old Japanese catalog, given to me by my friend Kyoko on the last Tim Holtz cruise.  I've made great use of that gift in this particular journal group.  And by the way, the bits of color in those photos came from.....you guessed it.....distress markers.

 

 

 

I haven't said it lately, but thanks to Linda for hosting these challenges; they always inspire me.  And if that isn't motivation enough, this week Linda is going to randomly select a participant to receive a gift, courtesy of Mario and Tim.







 



Blended Stains

Blended stains:  not a weird laundry problem, but this week's technique featured in Linda's Compendium of Curiosities 2 challenge.  Turn to page 45 in Tim's C of C 2 book and try it yourself.  It's easy, and it results in a very pretty background.  And this week all entries are eligible for a $25 gift certificate from the lovely peeps at Simon Says Stamp.

Although I did follow Tim's directions, I added one of the new metallic stains to the mix (antiqued bronze), and love the bit of shimmer it gives.  I'm not sure just how much of the background you can see once I finished embellishing it with stamps, rub-ons and flowers, but here is my piece, a 4x4 card for the birthday club I'm in:

 

 

The main image is one of my new purchases, a Dina Wakley stamp called Grungy Silhouette, stamped in black archival ink.  On the left, in sepia archival ink, the blueprint stamp from Tim's steampunk set.  On the right, stamped vertically, also in sepia,  bits of an old French script Stampin' Up stamp.

 

Both the stitching and the birthday greeting are rub-ons from K&Company.

 

The flowers, leaves and stem are Prima, and I added the tiny pearls around the head and the somewhat larger ones in the center of the bouquet for a little bling.  It felt like something was missing, and that's how the brown lace made an appearance.



A Perfect Pair

What makes a perfect pair?  Well, today I'm talking about a Tim technique paired with some Wendy Vecchi stamps.  The current Simon Says Stamp and Show challenge is to make something featuring one of Tim's techniques.  I took one of my favorites from his online Creative Chemistry class...alcohol ink agates...and filled an entire 8 1/2 x 11" sheet with it.  I think if you're going to the trouble of doing a background, you may as well do it BIG and have lots on hand for future projects.  As I'm in need of a bunch of greeting cards, I cut the background up and used them for that purpose. 

Here is my entry for the challenge, a birthday card for my brother. Cards for men always give me pause, but Wendy's "serious" man (from the Serious Art set) works well.

Besides the "serious" stamp, I used the number background from Wendy's Dimensional Rose Art set, and the polka dots, which are also from the Seriously Art set.

Inside the card is the sentiment from Card Art Essentials, which you will see in the next card. 

Speaking of challenges, over at the Wendy yahoo group, our challenge is inspired by the piece on page 38 of Wendy's third book.  We're to do something that includes two eyes and a hand. 

The eyes come from the An Eye For Art set, and the hand is from Mail Art.  The sentiment you already know about; I've been using it a lot lately on my birthday cards.

Like I said before, I cut my original background into several pieces, and here are a few more cards.  These have no sentiments yet, though I did leave room on the bottoms for that.  You'll see the large weeds from Well Worn Art, the smaller ones from Botanical Art, and a swirly flower, also from Botanical Art.  Plus some twine and a little bling.

Oh, and I have to share something I discovered while making these cards.  I screwed up the stamping (archival ink, by the way) on one and really felt terrible about tossing it, so I tried something I'd never done before.  I swiped it with Stazon stamp cleaner and guess what?  It removed the archival ink but left the alcohol ink background untouched.  How cool is that?

One more card, not from the above group.  The background has distress inks, sprays, picket fence stain, patterned tissue paper, and some stamps by Wendy (those weeds again....love 'em! and the birthday sentiment too) and Tim (the splatter stamp from Urban Tapestry, and the curved floral spray from Fairy Tale Frenzy).







And you know what starts tomorrow.......can't wait......the first challenge from Tim's Compendium of Curiosities II.  Head on over to Linda Ledbetter's blog to get the scoop.

My Funny Valentine

Big announcement from Tim yesterday.....no more 12 Tags of Christmas (sigh....), but instead, the launch of the 12 Tags of 2012.  A new tag, chock full of techniques and step by step directions each month.  Starting with February, a Valentine's tag.

Not that I'm cynical about love, but whether I've been in or out of a relationship come February 14, it has just never been one of my favorite holidays.  But I couldn't resist the challenge, not to mention I had an idea to put a less than serious spin on things.

Tim's main technique involved the use of a specialty paper that results in a honeycomb (and very dimensional) image.  You have to click on the 12 Tags link above to see it.  Now, as much as I own in the way of supplies, this paper is not in my stash.  Somewhere in the back of my mind, however, was a vague memory of making homemade honeycomb paper with my kids way back when I was an elementary school teacher.  I did a quick google search and found this totally easy tutorial which is just the way I remember doing it.  Does it result in the exact same perfect honeycomb effect as the Inky Antics paper?  Of course not, but if you want to give it a try and are too impatient to wait until you can find the real thing, I don't think you'll be disappointed.  I'm not trying to take business away from Inky Antics, but not everyone has the means to buy every cool product, and besides, it's always nice to know your alternatives.

Before I go into details, this tag will be my entry for two challenges besides Tim's.

Grungy Monday #36 :  V-Day, Tim Holtz style.

Simon Says Stamp and Show :  anything goes

And by the way, both of the above challenges will have prizes sponsored by Simon Says Stamp.

I used Tim's paint resist technique with his Rock Star stamp, then used just about every shade of red distress ink over the entire tag.  The embossing you see on the top and right side was done with one of those skinny embossing folders from Sizzix.  Instead of the lace die for the bottom (which I don't have....and why is that?  Something else for the wish list), I used two Martha Steward border punches on Core'dinations whitewash paper.  I followed Tim's directions to make the heart with the tissue tape ruffled edge, and made the honeycomb heart following the tutorial directions I mentioned above.

When I saw cupid on Tim's blog, believe it or not, I was instantly reminded of the running man from Wendy Vecchi's Gentleman's Art stamp set (similar pose, no?), so I had him holding onto the heart,  and instead of covering him with red stickles, I used black diamond.

I used a plain old office date stamp for the one-day-too-late-for Valentine's-Day date, and right below it, the "oops" is from Wendy's Destination Art set.  The "I'm Late! I'm Late!" is from a Stamping Ground Alice in Wonderland set.

And I'm thinking this tag will go out in the mail to a friend who I know is also no great fan of V-Day, and won't mind a bit it's being late.



Cracked and Bricked

I'm happy to report that yesterday I managed to create a birthday card that is also OK for Grungy Monday Challenge 34, and the Simon Says Stamp and Show challenge.
The lovely Linda Ledbetter of GM, asked us to do something that incorporates Tim's crackle resist technique.  And over at Simon Says, we're to do a piece inspired by a song title.

I know this is not a card for everyone, but I'm pretty sure its recipient will like it.  It's grungy and graffiti inspired.

It started with black cardstock, which I embossed with Tim's bricked embossing folder.  I then applied a coat of antique linen distress crackle paint, thick in some areas, thin in others, just like Tim demonstrated in the video.  While the paint was still wet I removed some around the bricks so they'd be more recognizable as bricks.  Then I just sat and waited for the paint to dry and the crackling to begin.

I added some shreds of 7 Gypsies tissue paper to look like the remnants of posters on the wall.  Adhered them with Ranger's Glue N Seal and being tissue paper, they really did kind of "melt" into the wall.

The writing, deliberately wonky (well, that's my story and I'm sticking to it), was done by dabbing black paint through Tim's stencil type.

The shadow of the woman staring at the wall is actually a Wendy Vecchi stamp, from her Regal Art set.

As for the song title.....are you old enough to guess, LOL?  Well, it's Another Brick in the Wall, by Pink Floyd, released in 1979.  And now you have a pretty good idea of just how old I am!