NOTE: As I feared, all the photos appear at the end, out of order and NOT in any way related to the text that describes them. Oh well, you're intelligent so I'm sure you can figure it out. Think of it as a Sunday morning puzzle, LOL.
Yesterday was a GREAT day for art! Heidi and I met up with Pat and Michele at Penn Station and these four city gals boarded the Long Island Railroad for North Babylon. Why, you might ask......well, because the wonderful Dyan Reavley is teaching this weekend at Scrappers Playground. We skipped her 9:00am tag class (so we wouldn't have to leave NYC at dawn), but signed up for the next two classes, both filled with techniques and resulting in two very different books.
Here is our first project, a small chunky book filled with pages we sprayed, inked, painted, and stamped.
The pages we created were interspersed with pages cut from Tim's Kraft Resist paper. As we worked we used leftover sprays, inks, and paints to decorate them (and a bunch of tags as well).
Look at all the tags we did! They will eventually make their way into the book, and maybe, just maybe, I'll even actually do a little journaling in it.
This is what the spine of the book looks like.
And here are the happy artists, Heidi, Pat, Dyan, me, and Michele.
This post is getting longer by the minute, and since I'm still posting from my phone, I can only hope that the photos appear where I want them. If not, maybe you can figure it out. And I'll save our second project for another post.
Sunday, July 29, 2012
Thursday, July 26, 2012
A Very Riveting Class
Still no computer, so posting from my phone. Better than nothing, but not great.
One of my favorite classes at CREATE was the jewelry class with Jean Van Brederode. We learned how to cut, texture, and shape the metal, and then many ways of connecting the pieces to form a cohesive design.
Jean was so generous with her supplies; we had an unbelievable amount of cool "stuff" to use.
I now know how to rivet, add patina, coil wire, make my own jump rings and my own hook and eye closures.
Here is my finished piece and some closeups.
One of my favorite classes at CREATE was the jewelry class with Jean Van Brederode. We learned how to cut, texture, and shape the metal, and then many ways of connecting the pieces to form a cohesive design.
Jean was so generous with her supplies; we had an unbelievable amount of cool "stuff" to use.
I now know how to rivet, add patina, coil wire, make my own jump rings and my own hook and eye closures.
Here is my finished piece and some closeups.
Monday, July 23, 2012
Birds Gone Wild
The first class I took at CREATE was Birds Gone Wild with the very talented Leighanna Light. We cut up metal, learned to rivet, and everyone left with a small flock of birds.
Although I enjoyed all of my classes, this may have been my favorite.
Although I enjoyed all of my classes, this may have been my favorite.
Sunday, July 15, 2012
Spritzin' and Flickin'
Before I explain the title of this post, I just want to say that tomorrow I am leaving the Empire State for the Garden State.....yep, I'm heading to Jersey with my pals Pat and Cheryl for six days at CREATE. It's the first time being held on the east coast, and I am so excited. I'm taking six classes with some fabulous instructors, so in a week or so you can expect to hear all about it. Classes will be held Wednesday through Sunday and it is my understanding that there are still some openings, so if you're interested, click on the link and maybe I'll see you there.
Now, back to spritzing and flicking. That is the technique for this week's Compendium of Curiosities 2 challenge. It's an oldie but goodie from Tim, and just the right thing to add to my fishy tag. My wonderful friend Elena sent me the LaBlanche stamp as a present because she thought it looked like me. No, not that I look like a fish, but that the stamp looked like my style. And right she was. I absolutely love it and had a wonderful time working with it.
I stamped the fish on the tag (it's a smallish tag, to give you an idea of the size of the stamp, the tag is 2 9/16" x 5 1/4") with clear embossing ink and embossed it with fine black powder. Next step, coloring the fish with distress markers. Here's a close up, and I hope you can see a bit of sparkle on some of the fish's scales.
Now, back to spritzing and flicking. That is the technique for this week's Compendium of Curiosities 2 challenge. It's an oldie but goodie from Tim, and just the right thing to add to my fishy tag. My wonderful friend Elena sent me the LaBlanche stamp as a present because she thought it looked like me. No, not that I look like a fish, but that the stamp looked like my style. And right she was. I absolutely love it and had a wonderful time working with it.
I stamped the fish on the tag (it's a smallish tag, to give you an idea of the size of the stamp, the tag is 2 9/16" x 5 1/4") with clear embossing ink and embossed it with fine black powder. Next step, coloring the fish with distress markers. Here's a close up, and I hope you can see a bit of sparkle on some of the fish's scales.
This is how I did that: I reheated the embossing and scattered bits of two different powders on the areas where I wanted a little bling. I used the tip of a craft stick and very little powder, so I did have some control. The powders were a blend of Ranger's verdigris from the Antiquities line, and goddess gold from the Ancient Gold line. Then I reheated again and the newly added powders melted into the image.
The last thing I did was apply the background inks (salty ocean, peacock feathers, and mowed lawn) and do the spritz and flick distress technique (which can be found on page 42 of Compendium of Curiosities, Volume 2).
I enjoyed this process so much, I did a "few" more. Looks like I have enough to share with some friends.
This week Simon Says Stamp is offering a $25 gift certificate for one randomly selected participant, so there's another good reason (besides the fun of getting inky) for jumping on the CCC train.
Getting Chunky
No, this is NOT a post about diet gone wrong. It's about a chunky ATC. If you don't know what that is, it's an ATC made of wood, and it is very dimensional and has not one, but SIX sides to decorate. The "face" is the standard ATC size of 2 1/2" x 3 1/2", and the depth is 1 1/2", so there are many opportunities to embellish to your heart's content.
I completed mine a while back for a swap in my Kindred Souls group, and just found out that I'm to send it to my great friend Elena, which is a relief, because the theme I chose, steampunk, is one I know she'll like. So, Elena, you know the drill....if you'd like to be surprised, look no further!
I began by embossing two of Ranger's foil tape sheets with Tim's industrial look folders: diamond plate and riveted metal. What's great about the tape is that it has a strong adhesive backing, so adhering it to the wood was easy. Then I went crazy with the Ranger/Vintaj patinas I have come to love so much. And then.....the real fun began.....finding just the right steampunkish elements to add to the piece.
I completed mine a while back for a swap in my Kindred Souls group, and just found out that I'm to send it to my great friend Elena, which is a relief, because the theme I chose, steampunk, is one I know she'll like. So, Elena, you know the drill....if you'd like to be surprised, look no further!
I began by embossing two of Ranger's foil tape sheets with Tim's industrial look folders: diamond plate and riveted metal. What's great about the tape is that it has a strong adhesive backing, so adhering it to the wood was easy. Then I went crazy with the Ranger/Vintaj patinas I have come to love so much. And then.....the real fun began.....finding just the right steampunkish elements to add to the piece.
Some gears and sprockets from Tim's idea-ology collection, including the newish mini gears, which I just love. The focal image is from a stamp in his steampunk set. I cut it and inserted it into whatever that doodad is (a 7 Gypsies doodad), filled the top with glossy accents, and surrounded it with some copper colored ball chain. On the bottom, also cut from the foil sheet, a bit from Tim's washer border decorative strip. The sentiment is also Tim...one of the word bands all patinaed (word???) up.
Here's a closer look of the main image:
On the flip side:
More gears, some from 7 Gypsies, and one I'm not sure of. On the right edge, I used Tim's steampunk on the edge die to cut some real copper sheeting that my darling brother found and presented to me recently. It's important to train all your non crafty friends and relatives so they know just what sort of junk will make your heart go pitter patter. When I saw all the copper he'd found I definitely was on the verge of needing CPR. It too, was altered a bit with the patinas.
Now, for the "sides" of the ATC:
The fellow with the camera is a Wendy Vecchi stamp, colored with distress markers, and enhanced with some glossy accents and a black glaze pen. Behind him, some more of that washer border, and on top of that, a tiny lightbulb from my stash. Here is a closer look of how I attached the bulb....wire and tiny copper nails (also courtesy of my bro). Those nails appear all over this ATC!
Next side:
This side has a strip of metal, attached with more of those copper nails, and over top a piece of idea-ology with some scrap chain attached.
The top:
If you're wondering how I attached the watch key (so it would stay attached), this is what I did. I first screwed it into the round piece of metal and then attached that metal to the top with a combination of strong glue and more copper nails. I added the copper ball chain to finish it off.
No photo of the bottom. Except for the metal it remains unadorned so that the piece will stand up nicely. But I'm thinking of adding some little feet, if I can find just the right items to use for that purpose.
If you'd like to try your hand at a chunky ATC, all you need is a two by four from the lumber yard. For some reason unknown to me (maybe it's a guy thing), the actual measurement of a two by four is
1 1/2 by 3 1/2". So, all you need to do is make cuts on it every 2 1/2" and you have the exact right measurements for a chunky ATC! Pretty cool, huh?
Sunday, July 8, 2012
Toss The Smokes; Alter The Box
The Kindred Souls group is in the midst of a cigar box swap, and I was lucky enough to be paired with Neil, an awesome artist from England. We briefly communicated and both decided that whatever each of us did would be fine. I was happy to be making a box for a man, because I don't often get to do that, and I did what I love to do......a little bit vintage, a little bit steampunk, a little bit grunge, and a whole lot of texture. I just mailed the completed box the other day, and it will take about two weeks to reach Neil. So, Neil, if you're reading this and would like to be surprised, step away from the computer or go visit another blog!
Above, a look at the box with the lid partially opened (yes, it closes nicely). And now for some closer looks. First, the top.
Above, a look at the box with the lid partially opened (yes, it closes nicely). And now for some closer looks. First, the top.
I took some corrugated cardboard and ripped off the paper covering one side, then cut it into different sized pieces for the mosaic look. I used inks and stains to color the pieces until I thought they looked suitably grungy, and adhered them with a strong glue. Then I went through my stash of keys, selected some and glued them down. I wanted to attach some sort of knob to the top to aid in opening the box, but the craft knobs I had on hand (lots of them!) didn't have a screw long enough to go through the lid, and I had no screws in my junk drawer that would fit, so I wound up using a finial from an old lamp that worked perfectly. It took a while to get the hole made, but an awl worked fine.
The sides of the box were covered with many scraps of patterned tissue paper and sealed with Ranger's Glue N Seal. Oh, I used that on the top of the box too, by the way. The chain goes all the way around the box and the swags were created by attaching the chain with plain old thumb tacks....which I banged up and colored with permanent ink to get a rusty look.
Decorating the inside of the box was optional, but I just couldn't leave it naked. Here's what it looks like fully opened. And next, photos of the inside of the box and inside of the lid.
For the bottom and sides of the inside I took some patterned paper and altered it with stamps and stencils.
The underside of the lid was covered with Tim Holtz's tissue tape, which was then colored with both Golden's fluid acrylics and distress inks. And yes, everything was sealed and protected with more Glue N Seal.
I think boxes look nicer if they have some lift, so I added feet.....made from bingo markers. The paper on the bottom of the box is plain old kraft from a disassembled grocery bag. It was inked, crumbled, inked some more and glued down, without smoothing it too much so some of the wrinkles remained. It may not look it in the photos, but I think it resembles leather.
I left this out and opened for DAYS before packing it up (carefully enough, I hope) and sending it across the ocean. Even though everything seemed dry after a few hours, you really want to make sure of that before shipping something like this. I wouldn't want Neil to be unable to open it. Speaking of which, before packing it up I did put a little something inside for Neil to discover. No photo of that, so even if Neil decided to look, something will still be a surprise.
Thursday, July 5, 2012
Pin It!
No, this is not a post about pinterest (although I've very recently started pinning and enjoy it a lot), but rather my response to the current Compendium of Curiosities 2 challenge. Linda is giving us two weeks to work on a configurations project. All of the details you need to create one of your own can be found on pages 33 and 34 of C of C, Vol. 2. You know, those boxes that Tim Holtz designed with many smaller boxes inside that can be used to create all sorts of things in the shadow box style. I've made a few, as well as some printers trays (same idea, just shallower sections), and wanted to do something a little different. Although the configurations pieces lend themselves to collections of memorabilia, they certainly can serve other purposes. I had an idea percolating inside my head for some time, and Linda motivated me to finally put it into action.
Here's my piece. Any guesses what it is to be used for?
Here's my piece. Any guesses what it is to be used for?
C'mon, doesn't the post title give you a hint? I have a huge collection of pins (that I mostly forget to wear), and I think they are too beautiful to keep tucked away all the time in jewelry boxes. I've long wanted to have some way to display them but still be able to wear them if I want. Enter the configurations box.
Admitedly, this project would have been easier to do with a configuration tray, but that's not what I had on hand. First thing I'd need to do (well, not the first thing. First I decorated the outside of the box with Tim's vintage subway sign paper.) was raise up the insides of the inner boxes, and at the same time have something to poke the pin backs into. The solution, foam. This is really easy. Just use foam that is the correct depth, cut pieces slightly smaller than each inner box and wrap them in the fabric of your choice. Gift wrap style. You don't have to be terribly neat in your cutting as the fabric hides all sins. Put a glob of strong glue (I used Ailene's tacky glue) in the bottom of the box and stick the fabric wrapped foam inside.
That's what I did. If I had it to do over, I'd to the tissue tape part first. It would have saved a little time, but it will work out either way.
The other thing I would have done first was attach the decorative finial on top. As it worked out I had to do a tiny bit of deconstruction to make the hole for the screw.
It's helpful if you have some coordinating fabric, and I had this pack of different patterns within one color scheme by Moda:
So, here is what my finished piece looks like filled with just a few of my favorite pins. The best part of all is that I can change out the pins whenever I want. And I'll be able to enjoy them even if I forget to wear them. Maybe if I see them on display I will put one on from time to time.
Looking at it makes me think it gives the expression "think outside the box" a whole different meaning, LOL.
Tuesday, July 3, 2012
The Accidental Project
It started out as a simple desire to better organize my big box of Wendy Vecchi's Art Parts, Clearly For Art, and Blossom Bucket Embellishments. In the middle of doing so, my eyes kept darting between the spools Art Parts and the pile of tissue tape and washi tape on my work table. Before I knew it, I was busy creating a simple, yet useful way to corral my tapes and keep them where I could see them. Now, admittedly I have way more tapes than I need to keep out, but at least now I can have the tapes I most often use, or the tapes I need for a particular project at hand and all in one place.
The tubes that come with the spools set weren't long enough for my purposes, so I simply glued three together, reinforced the seams with tape (appropriate, huh?), then covered them totally with tape....this time tissue tape. As you probably know, tissue tape does not stick to itself (duh! if it did how would we get it off the roll?), so to make sure it stayed put, and to give the whole thing some added strength, I covered it with Glue N Seal. Wait! Before I did that, I sprayed it with some Dylusions sprays. I think it's time for some photos.
The tubes that come with the spools set weren't long enough for my purposes, so I simply glued three together, reinforced the seams with tape (appropriate, huh?), then covered them totally with tape....this time tissue tape. As you probably know, tissue tape does not stick to itself (duh! if it did how would we get it off the roll?), so to make sure it stayed put, and to give the whole thing some added strength, I covered it with Glue N Seal. Wait! Before I did that, I sprayed it with some Dylusions sprays. I think it's time for some photos.
Above, the finished tape holder. Like I said, simple. To be useful, there just isn't much room for embellishments.
To finish off the top, I threaded some beads on a stick pin and just stuck it into the end cap of the tube (with a bit of glue to make sure it stays put).
The only place where I could do any stamping was on the disc on the bottom, and I used Wendy's polka dot stamp over the sprayed Art Part.
Ta da! My tape holder in action. Room for lots more, as you can see.
Now that I accidentally did something creative today, do you think I can also accidentally do some laundry? Hah! Sometimes I really crack myself up.
Monday, July 2, 2012
Splattered on Alcohol (Ink)
Tim Holtz's July tag in the 12 Tags of 2012 series is a patriotic one, perfect for this month. It features a very fun technique that I believe I first saw in a video, and which was later in Volume 1 of A Compendium of Curiosities. Or maybe it was the other way around. All I know is, it made me rush out to Staples to get a can of compressed air.
I decided to go in a different direction, keeping to the techniques Tim used, but using a whole other color way and theme. I love the water; my favorite colors are blues and greens, so here is my version:
I decided to go in a different direction, keeping to the techniques Tim used, but using a whole other color way and theme. I love the water; my favorite colors are blues and greens, so here is my version:
I used willow, pool, citrus, and sailboat blue inks for the background. Then I stamped those fabulous Wendy Vecchi fish twice. First with emerald green archival ink, then right over top with black. The dots (bubbles, really) were done with an old Stampin' Up wheel stamp. I think the way the inks blew upwards looks a lot like seaweed, which is how I wound up going in the direction I went. The tag is topped off with some taffeta ribbon dyed with distress stains (peeled paint, shabby shutters, weathered wood and broken china) and a couple of ocean themed charms.
OK, I lied. I didn't neglect Independence Day altogether. I also did a red, white and blue tag; I just don't like it quite as much as the first one.
I was hoping my red pepper and stonewashed inks would resemble fireworks, but I'm not so sure about that. The stamp, one of my favorite Statue of Liberty stamps (from Viva Las Vegas), was done with black archival ink.
I'm taking Joanne Sharpe's online lettering class, so decided to do my own writing. Trust me, I've done better, but at least I'm trying. It was written with a micron pen and colored with distress markers.
If I don't post again before then, have a safe and fun July 4th!
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